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Today's Stichomancy for Julia Roberts

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ballads by Robert Louis Stevenson:

At once the ship lies idle, the sails hang silent on high, The breath of the wind that blew is blown out like the flame of a lamp, And the silent armies of death draw near with inaudible tramp: So sudden, the voice of her weeping ceased; in silence she rose And passed from the house of her sorrow, a woman clothed with repose, Carrying death in her breast and sharpening death with her hand.

Hither she went and thither in all the coasts of the land. They tell that she feared not to slumber alone, in the dead of night, In accursed places; beheld, unblenched, the ribbon of light (9) Spin from temple to temple; guided the perilous skiff, Abhorred not the paths of the mountain and trod the verge of the cliff;


Ballads
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

the happiness till to-morrow?--To-morrow at her own house--It will be every bit as convenient--and rather more respectful--To-morrow let it be. [Offering to go.]

MISS NEVILLE. By no means, sir. Your ceremony will displease her. The disorder of your dress will show the ardour of your impatience. Besides, she knows you are in the house, and will permit you to see her.

MARLOW. O! the devil! how shall I support it? Hem! hem! Hastings, you must not go. You are to assist me, you know. I shall be confoundedly ridiculous. Yet, hang it! I'll take courage. Hem!

HASTINGS. Pshaw, man! it's but the first plunge, and all's over.


She Stoops to Conquer
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield:

in foreign countries? Now, supposing that you lost your purse at midnight in a snowbound train in North Russia?"

"But I haven't the slightest intention--" I began.

"I don't say that you have. But when you said good-bye to your dear man I am positive that you had no intention of coming here. My dear, I am a woman of experience, and I know the world. While he is away you have a fever in your blood. Your sad heart flies for comfort to these foreign lands. At home you cannot bear the sight of that empty bed---it is like widowhood. Since the death of my dear husband I have never known an hour's peace."

"I like empty beds," I protested sleepily, thumping the pillow.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from From London to Land's End by Daniel Defoe:

fasten it to the rock--stood to admiration, and bore out many a bitter storm.

Mr. Winstanley often visited, and frequently strengthened, the building by new works, and was so confident of its firmness and stability that he usually said he only desired to be in it when a storm should happen; for many people had told him it would certainly fall if it came to blow a little harder than ordinary.

But he happened at last to be in it once too often--namely, when that dreadful tempest blew, November 27, 1703. This tempest began on the Wednesday before, and blew with such violence, and shook the lighthouse so much, that, as they told me there, Mr. Winstanley