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Today's Stichomancy for Julia Roberts

The first excerpt represents the past or something you must release, and is drawn from La Grande Breteche by Honore de Balzac:

dictating a lease.)--In short, that she burnt everything in the meadow at Merret. Have you been to Merret, monsieur?--No,' said he, answering himself, 'Ah, it is a very fine place.'

" 'For about three months previously,' he went on, with a jerk of his head, 'the Count and Countess had lived in a very eccentric way; they admitted no visitors; Madame lived on the ground-floor, and Monsieur on the first floor. When the Countess was left alone, she was never seen excepting at church. Subsequently, at home, at the chateau, she refused to see the friends, whether gentlemen or ladies, who went to call on her. She was already very much altered when she left la Grande Breteche to go to Merret. That dear lady--I say dear lady, for it was


La Grande Breteche
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Prufrock/Other Observations by T. S. Eliot:

Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons; I know the voices dying with a dying fall Beneath the music from a farther room. So how should I presume? And I have known the eyes already, known them all-- The eyes that fix you in a formulated phrase, And when I am formulated, sprawling on a pin, When I am pinned and wriggling on the wall, Then how should I begin To spit out all the butt-ends of my days and ways?


Prufrock/Other Observations
The third excerpt represents the future or something you must embrace, and is drawn from Cratylus by Plato:

likely to be untrue; and therefore I would have you reflect while you are young, and find out the truth, and when you know come and tell me. 'I have thought, Socrates, and after a good deal of thinking I incline to Heracleitus.' Then another day, my friend, you shall give me a lesson. 'Very good, Socrates, and I hope that you will continue to study these things yourself.'

...

We may now consider (I) how far Plato in the Cratylus has discovered the true principles of language, and then (II) proceed to compare modern speculations respecting the origin and nature of language with the anticipations of his genius.