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Today's Stichomancy for Justin Timberlake

The first excerpt represents the past or something you must release, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

He was drenched in pity for himself and her.

He held her in his arms, and pressed his lips to hers and looked on her sweet face for the last time. "Good-bye!" he whispered to that dear sight, "good-bye!"

And then in silence he turned away from her.

She could hear his slow retreating footsteps, and something in the rhythm of them threw her into a passion of weeping.

He walked away.

He had fully meant to go to a lonely place where the meadows were beautiful with white narcissus, and there remain until the hour of his sacrifice should come, but as he walked he lifted up

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Garden Party by Katherine Mansfield:

the palm of me 'and!"

The only ones who are quiet are the ragged children. They stand, as close up to the musicians as they can get, their hands behind their backs, their eyes big. Occasionally a leg hops, an arm wags. A tiny staggerer, overcome, turns round twice, sits down solemn, and then gets up again.

"Ain't it lovely?" whispers a small girl behind her hand.

And the music breaks into bright pieces, and joins together again, and again breaks, and is dissolved, and the crowd scatters, moving slowly up the hill.

At the corner of the road the stalls begin.

"Ticklers! Tuppence a tickler! 'Ool 'ave a tickler? Tickle 'em up,

The third excerpt represents the future or something you must embrace, and is drawn from The Village Rector by Honore de Balzac:

clinging to the rock with their forked feet like birds on a bough.

The opposite hill, hollowed by time, had a frowning front, sandy, rocky, and yellow; here were shallow caverns, dips without depth; the soft and pulverizing rock had ochre tones. A few plants with prickly leaves above, and burdocks, reeds, and aquatic growths below, were indication enough of the northern exposure and the poverty of the soil. The bed of the torrent was of stone, quite hard, but yellow. Evidently the two chains, though parallel and ripped asunder by one of the great catastrophes which have changed the face of the globe, were, either from some inexplicable caprice or for some unknown reason, the discovery of which awaited genius, composed of elements that were