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Today's Stichomancy for Karl Marx

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Miracle Mongers and Their Methods by Harry Houdini:

and curled crests, and played with their forked tongues. He had unbuttoned his waistcoat, and as cleverly as a fish- woman handles her eels, let out several snakes and adders, warmed by his breast, and spread them on the table. He took off his hat, and others of different sizes and lengths twisted before me; some of them, when he unbosomed his shirt, returned to the genial temperature of his skin; and some curled around the legs of the table,


Miracle Mongers and Their Methods
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Two Brothers by Honore de Balzac:

a house in the Vieille rue du Temple. Mariette had begun her studies when she was ten years old; she was now just sixteen. Alas! for want of becoming clothes, her beauty, hidden under a coarse shawl, dressed in calico, and ill-kept, could only be guessed by those Parisians who devote themselves to hunting grisettes and the quest of beauty in misfortune, as she trotted past them with mincing step, mounted on iron pattens. Philippe fell in love with Mariette. To Mariette, Philippe was commander of the dragoons of the Guard, a staff-officer of the Emperor, a young man of twenty-seven, and above all, the means of proving herself superior to Florentine by the evident superiority of Philippe over Giroudeau. Florentine and Giroudeau, the one to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Child of Storm by H. Rider Haggard:

"And therefore is now one who can pay any debt that he owes, Umbezi," I said, taking a pull at the "squareface" and looking at him over the top of the pannikin.

"Doubtless he can, Macumazahn, and, between you and me, that is the real reason why I--or rather Masapo--was so anxious to get those guns. They were not for hunting, as he told you by the messenger, or for war, but to protect us against Saduko, in case he should attack. Well, now I hope we shall be able to hold our own."

"You and Masapo must teach your people to use them first, Umbezi. But I expect Saduko has forgotten all about both of you now that he is the husband of a princess of the royal blood. Tell me, how goes it with


Child of Storm
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

strength, daring, severity, and elevation than a nineteenth- century Frenchman could have done--owing to the circumstance that we Germans are as yet nearer to barbarism than the French;-- perhaps even the most remarkable creation of Richard Wagner is not only at present, but for ever inaccessible, incomprehensible, and inimitable to the whole latter-day Latin race: the figure of Siegfried, that VERY FREE man, who is probably far too free, too hard, too cheerful, too healthy, too ANTI-CATHOLIC for the taste of old and mellow civilized nations. He may even have been a sin against Romanticism, this anti-Latin Siegfried: well, Wagner atoned amply for this sin in his old sad days, when--anticipating


Beyond Good and Evil