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Today's Stichomancy for Karl Marx

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Charmides by Plato:

and modern philosophy, it seems best that we should at first study them separately, and seek for the interpretation of either, especially of the ancient, from itself only, comparing the same author with himself and with his contemporaries, and with the general state of thought and feeling prevalent in his age. Afterwards comes the remoter light which they cast on one another. We begin to feel that the ancients had the same thoughts as ourselves, the same difficulties which characterize all periods of transition, almost the same opposition between science and religion. Although we cannot maintain that ancient and modern philosophy are one and continuous (as has been affirmed with more truth respecting ancient and modern history), for they are separated by an interval of a thousand years,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chita: A Memory of Last Island by Lafcadio Hearn:

and a bursting weight of pain at the base of the skull made him reel like a drunken man. He staggered to the little mirror nailed upon the wall, and looked. How his eyes glowed;---and there was blood in his mouth! He felt his pulse spasmodic, terribly rapid. Could it possibly---? ... No: this must be some pernicious malarial fever! The Creole does not easily fall a prey to the great tropical malady,---unless after a long absence in other climates. True! he had been four years in the army! But this was 1867 ... He hesitated a moment; then,--opening his medicine chest, he measured out and swallowed thirty grains of quinine.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Secret Adversary by Agatha Christie:

could not believe in his own success where so many others had failed. The thing was too easy, therefore it could not be. The hole would be empty.

Julius looked at him with a widening smile.

"I guess you're rattled now all right," he drawled with some enjoyment. "Well, here goes!" He thrust his hand into the crevice, and made a slight grimace. "It's a tight fit. Jane's hand must be a few sizes smaller than mine. I don't feel anything--no--say, what's this? Gee whiz!" And with a flourish he waved aloft a small discoloured packet. "It's the goods all right. Sewn up in oilskin. Hold it while I get my penknife."


Secret Adversary
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Blue Flower by Henry van Dyke:

condescension toward her such as one might use to a lovely child, which seemed to match but ill with her unconscious attitude of watchful care, of tender solicitude for him--almost like the manner of an elder sister. Lovers they surely were, and acknowledged lovers, for their frankness of demeanour sought no concealment; but I felt that there must be

A little rift within the lute,

though neither of them might know it. Each one's thought of the other was different from the other's thought of self. There could not be a complete understanding, a perfect accord. What was the secret, of which each knew half, but not the other