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Today's Stichomancy for Karl Marx

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Personal Record by Joseph Conrad:

if as plunge this first attempt may be described. My whole being was steeped deep in the indolence of a sailor away from the sea, the scene of never-ending labour and of unceasing duty. For utter surrender to in indolence you cannot beat a sailor ashore when that mood is on him--the mood of absolute irresponsibility tasted to the full. It seems to me that I thought of nothing whatever, but this is an impression which is hardly to be believed at this distance of years. What I am certain of is that I was very far from thinking of writing a story, though it is possible and even likely that I was thinking of the man Almayer.

I had seen him for the first time, some four years before, from


A Personal Record
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Origin of Species by Charles Darwin:

first place, be clearly shown that mere external dissimilarity between two species does not determine their greater or lesser degree of sterility when crossed; and we may apply the same rule to domestic varieties. In the second place, some eminent naturalists believe that a long course of domestication tends to eliminate sterility in the successive generations of hybrids, which were at first only slightly sterile; and if this be so, we surely ought not to expect to find sterility both appearing and disappearing under nearly the same conditions of life. Lastly, and this seems to me by far the most important consideration, new races of animals and plants are produced under domestication by man's methodical and unconscious power of selection, for his own use and pleasure: he neither


On the Origin of Species
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

girlish figure, similar in every detail to the earthly women of my past life. She did not see me at first, but just as she was disappearing through the portal of the building which was to be her prison she turned, and her eyes met mine. Her face was oval and beautiful in the extreme, her every feature was finely chiseled and exquisite, her eyes large and lustrous and her head surmounted by a mass of coal black, waving hair, caught loosely into a strange yet becoming coiffure. Her skin was of a light reddish copper color, against which the crimson glow of her cheeks and the ruby of her beautifully molded lips shone with a strangely enhancing effect.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Emerald City of Oz by L. Frank Baum:

pleasantly and perhaps they won't be so very bad, after all."

"Why do they call it the Forbidden Fountain?" asked Dorothy, thoughtfully.

"Don't you know, dear?" returned Ozma, surprised.

"No," said Dorothy. "Of course I've seen the fountain in the palace grounds, ever since I first came to Oz; and I've read the sign which says: 'All Persons are Forbidden to Drink at this Fountain.' But I never knew WHY they were forbidden. The water seems clear and sparkling and it bubbles up in a golden basin all the time."

"That water," declared Ozma, gravely, "is the most dangerous thing in all the Land of Oz. It is the Water of Oblivion."

"What does that mean?" asked Dorothy.


The Emerald City of Oz