| The first excerpt represents the past or something you must release, and is drawn from Euthyphro by Plato: EUTHYPHRO: Certainly, not for their hurt.
SOCRATES: But for their good?
EUTHYPHRO: Of course.
SOCRATES: And does piety or holiness, which has been defined to be the art
of attending to the gods, benefit or improve them? Would you say that when
you do a holy act you make any of the gods better?
EUTHYPHRO: No, no; that was certainly not what I meant.
SOCRATES: And I, Euthyphro, never supposed that you did. I asked you the
question about the nature of the attention, because I thought that you did
not.
EUTHYPHRO: You do me justice, Socrates; that is not the sort of attention
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Soul of Man by Oscar Wilde: either the general ignorance of the community, or the terror and
greed for power of an ecclesiastical or governmental class. Of
course, we have to a very great extent got rid of any attempt on
the part of the community, or the Church, or the Government, to
interfere with the individualism of speculative thought, but the
attempt to interfere with the individualism of imaginative art
still lingers. In fact, it does more than linger; it is
aggressive, offensive, and brutalising.
In England, the arts that have escaped best are the arts in which
the public take no interest. Poetry is an instance of what I mean.
We have been able to have fine poetry in England because the public
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The third excerpt represents the future or something you must embrace, and is drawn from Hamlet by William Shakespeare: And not t'haue strew'd thy Graue
Laer. Oh terrible woer,
Fall ten times trebble, on that cursed head
Whose wicked deed, thy most Ingenious sence
Depriu'd thee of. Hold off the earth a while,
Till I haue caught her once more in mine armes:
Leaps in the graue.
Now pile your dust, vpon the quicke, and dead,
Till of this flat a Mountaine you haue made,
To o're top old Pelion, or the skyish head
Of blew Olympus
Hamlet |
