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Today's Stichomancy for Karl Marx

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moby Dick by Herman Melville:

his second chapter. His frontispiece, boats attacking Sperm Whales, though no doubt calculated to excite the civil scepticism of some parlor men, is admirably correct and life-like in its general effect. Some of the Sperm Whale drawings in J. Ross Browne are pretty correct in contour; but they are wretchedly engraved. That is not his fault though.

Of the Right Whale, the best outline pictures are in Scoresby; but they are drawn on too small a scale to convey a desirable impression. He has but one picture of whaling scenes, and this is a sad deficiency, because it is by such pictures only, when at all well done, that you can derive anything like a truthful idea of the living


Moby Dick
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

places, but had formed a mighty longing for the English cliffs and downlands of his boyhood; where in little dreaming villages England's old songs hover at evening behind lattice windows, and where grey church towers peep lovely through the verdure of distant valleys. He could not go back to these things in the waking world because his body was dead; but he had done the next best thing and dreamed a small tract of such countryside in the region east of the city where meadows roll gracefully up from the sea-cliffs to the foot of the Tanarian Hills. There he dwelt in a grey Gothic manor-house of stone looking on the sea, and tried to think it was ancient Trevor Towers, where he was born and where thirteen


The Dream-Quest of Unknown Kadath
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Uncle Tom's Cabin by Harriet Beecher Stowe:

get off, they has good times with me; and if they don't, why, it's thar fault, and not mine."

Tom assured Haley that he had no present intentions of running off. In fact, the exhortation seemed rather a superfluous one to a man with a great pair of iron fetters on his feet. But Mr. Haley had got in the habit of commencing his relations with his stock with little exhortations of this nature, calculated, as he deemed, to inspire cheerfulness and confidence, and prevent the necessity of any unpleasant scenes.

And here, for the present, we take our leave of Tom, to pursue the fortunes of other characters in our story.


Uncle Tom's Cabin
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Ball at Sceaux by Honore de Balzac:

advantages of a fortune acquired in a profession; so she accompanied her sister to the sumptuous villa, less out of affection for the members of her family who were visiting there, than because fashion has ordained that every woman who has any self-respect must leave Paris in the summer. The green seclusion of Sceaux answered to perfection the requirements of good style and of the duties of an official position.

As it is extremely doubtful that the fame of the "Bal de Sceaux" should ever have extended beyond the borders of the Department of the Seine, it will be necessary to give some account of this weekly festivity, which at that time was important enough to threaten to