Today's Stichomancy for Karl Marx

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Summer by Edith Wharton:

recoiled from the vision of the white-faced woman among the plush sofas and gilt frames. In the established order of things as she knew them she saw no place for her individual adventure....

She sat in her chair without undressing till faint grey streaks began to divide the black slats of the shutters. Then she stood up and pushed them open, letting in the light. The coming of a new day brought a sharper consciousness of ineluctable reality, and with it a sense of the need of action. She looked at herself in the glass, and saw her face, white in the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Men of Iron by Howard Pyle:

of Lord George's horse.

What Myles saw was a plain, rather stout man, with a face fat, smooth, and waxy, with pale-blue eyes, and baggy in the lids; clean shaven, except for a mustache and tuft covering lips and chin. Somehow he felt a deep disappointment. He had expected to see something lion-like, something regal, and, after all, the great King Henry was commonplace, fat, unwholesome-looking. It came to him with a sort of a shock that, after all, a King was in nowise different from other men.

Meanwhile the Earl and his brother replaced their bascinets, and presently the whole party moved forward upon the way to

Men of Iron

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

thrown externally over it like a carpet over a railing. Now the moral significance, with Hugo, is of the essence of the romance; it is the organising principle. If you could somehow despoil LES MISERABLES OR LES TRAVAILLEURS of their distinctive lesson, you would find that the story had lost its interest and the book was dead.

Having thus learned to subordinate his story to an idea, to make his art speak, he went on to teach it to say things heretofore unaccustomed. If you look back at the five books of which we have now so hastily spoken, you will be astonished at the freedom with which the original purposes of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Woman and Labour by Olive Schreiner:

exist and its numbers be kept up; and society, recognising this, polygamy would be an institution universally approved and submitted to, however much suffering it entailed. If food were scarce, the destruction of superfluous infants and of the aged might also always have been necessary for the good of the individuals themselves as well as of society, and the whole society would acquiesce in it without any moral doubt. If an eclipse of the sun had once occurred in connection with the appearance of a certain new insect, they mighty universally regard that insect as a god causing it; and ages might pass without anything arising to disprove their belief. There would be no social or religious problem; and the view of one man would be the view of all men; and all would be more or less in harmony with the