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Today's Stichomancy for Karl Marx

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Two Poets by Honore de Balzac:

duty in society; and, doing his utmost to be agreeable, had adopted the smile of an opera dancer as his sole method of expression. Satisfied, he smiled; dissatisfied, he smiled again. He smiled at good news and evil tidings; with slight modifications the smile did duty on all occasions. If he was positively obliged to express his personal approval, a complacent laugh reinforced the smile; but he never vouchsafed a word until driven to the last extremity. A tete-a-tete put him in the one embarrassment of his vegetative existence, for then he was obliged to look for something to say in the vast blank of his vacant interior. He usually got out of the difficulty by a return to the artless ways of childhood; he thought aloud, took you into his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from When the World Shook by H. Rider Haggard:

was beautiful. The fact of these remarkable changes with the suggestion of multiform personalities which they conveyed impressed both Bickley and myself very much indeed. Then the breast heaved tumultuously; it even appeared to struggle. Next the eyes opened. They were full of wonder, even of fear, but oh! what marvelous eyes. I do not know how to describe them, I cannot even state their exact colour, except that it was dark, something like the blue of sapphires of the deepest tint, and yet not black; large, too, and soft as a deer's. They shut again as though the light hurt them, then once more opened and wandered about, apparently without seeing.


When the World Shook
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Alkahest by Honore de Balzac:

whose fires were fed by chastity imposed by the tyranny of ideas and by the inward consecration of a great intellect. The cavernous eyes seemed to have sunk in their orbits through midnight vigils and the terrible reaction of hopes destroyed, yet ceaselessly reborn. The zealous fanaticism inspired by an art or a science was evident in this man; it betrayed itself in the strange, persistent abstraction of his mind expressed by his dress and bearing, which were in keeping with the anomalous peculiarities of his person.

His large, hairy hands were dirty, and the nails, which were very long, had deep black lines at their extremities. His shoes were not cleaned and the shoe-strings were missing. Of all that Flemish

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Battle of the Books by Jonathan Swift:

And to urge another argument of a parallel nature: if Christianity were once abolished, how could the Freethinkers, the strong reasoners, and the men of profound learning be able to find another subject so calculated in all points whereon to display their abilities? What wonderful productions of wit should we be deprived of from those whose genius, by continual practice, hath been wholly turned upon raillery and invectives against religion, and would therefore never be able to shine or distinguish themselves upon any other subject? We are daily complaining of the great decline of wit among as, and would we take away the greatest, perhaps the only topic we have left? Who would ever have suspected Asgil for a wit,