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Today's Stichomancy for Karl Rove

The first excerpt represents the past or something you must release, and is drawn from Tono Bungay by H. G. Wells:

where one meant to hurt from ordered pugilism, practising both arts, and having, moreover, precocious linguistic gifts. Our cricket-field was bald about the wickets, and we played without style and disputed with the umpire; and the teaching was chiefly in the hands of a lout of nineteen, who wore ready-made clothes and taught despicably. The head-master and proprietor taught us arithmetic, algebra, and Euclid, and to the older boys even trigonometry, himself; he had a strong mathematical bias, and I think now that by the standard of a British public school he did rather well by us.

We had one inestimable privilege at that school, and that was

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Desert Gold by Zane Grey:

hold his seat.

The giant cactus came to be only so in name. These saguaros were thinning out, growing stunted, and most of them were single columns. Gradually other cactus forms showed a harder struggle for existence, and the spaces of sand between were wider. But now the dreaded, glistening choya began to show pale and gray and white upon the rising slope. Round-topped hills, sunset-colored above, blue-black below, intervened to hide the distant spurs and peaks. Mile and mile long tongues of red lava streamed out between the hills and wound down to stop abruptly upon the slope.

The fugitives were entering a desolate, burned-out world. It rose


Desert Gold
The third excerpt represents the future or something you must embrace, and is drawn from Falk by Joseph Conrad:

Realising the situation as though he had eyes in his shoulder-blades, he joined us with a leap and took the lead. The Chinaman fled silent like a rapid shadow on the dust of an extremely oriental road. I followed. A long way in the rear my mate whooped like a savage. A young moon threw a bashful light on a plain like a monstrous waste ground: the architectural mass of a Buddhist tem- ple far away projected itself in dead black on the sky. We lost the thief of course; but in my disap- pointment I had to admire Hermann's presence of


Falk