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Today's Stichomancy for Kate Beckinsale

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Mirror of the Sea by Joseph Conrad:

of feeling. Instead of blinding your eyes and crushing your soul with a terrible apparatus of cloud and mists and seas and rain, the King of the West turns his power to contemptuous pelting of your back with icicles, to making your weary eyes water as if in grief, and your worn-out carcass quake pitifully. But each mood of the great autocrat has its own greatness, and each is hard to bear. Only the north-west phase of that mighty display is not demoralizing to the same extent, because between the hail and sleet squalls of a north-westerly gale one can see a long way ahead.

To see! to see! - this is the craving of the sailor, as of the rest of blind humanity. To have his path made clear for him is the


The Mirror of the Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Emma McChesney & Co. by Edna Ferber:

time, looked like gardens abloom. If she appeared on Monday morning in severely tailored white-linen blouse, the shop on Tuesday was a Boston seminary in its starched primness.

"It worries me," Emma told her husband-partner. "I can't help thinking of the story of the girl and the pet chameleon. What would happen if I were to forget myself some day and come down to work in black velvet and pearls?"

"They'd manage it somehow," Buck assured her. "I don't know just how; but I'm sure that twenty-four hours later our shop would look like a Buckingham drawing-room when the court is in mourning."


Emma McChesney & Co.
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The War in the Air by H. G. Wells:

and agricultural fragments. It was a sprawl of undistinguished population. There were, no doubt, museums and town halls and even cathedrals of a sort to mark theoretical centres of municipal and religious organisation in this confusion; but Bert could not see them, they did not stand out at all in that wide disorderly vision of congested workers' houses and places to work, and shops and meanly conceived chapels and churches. And across this landscape of an industrial civilisation swept the shadows of the German airships like a hurrying shoal of fishes....

Kurt and he fell talking of aerial tactics, and presently went

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moll Flanders by Daniel Defoe:

26#, 18s., 0d

This was the second-rate bill; the third, she said, was for a degree higher, and when the father or friends appeared:--

1. For three months' lodging and diet, having two rooms and a garret for a servant . . 30#, 0s., 0d.,

2. For a nurse for the month, and the finest suit of childbed linen . . . . . . . . . . . . . . 4#, 4s., 0d.

3. For the minister to christen the child, etc. . . . . . . . . . . . . . . . . . . . . . . . . . . . 2#, 10s., 0d.

4. For a super, the gentlemen to send in the wine . . . . . . . . . . . . . . . . . . . . . . . 6#, 0s., 0d.


Moll Flanders