| The first excerpt represents the past or something you must release, and is drawn from Rezanov by Gertrude Atherton: But Concha sprang forward and flung herself
upon his neck. She rubbed her warm elastic cheek
against his own in the manner he loved, and softened
her voice. "Papacito mio, papacito mio," she
pleaded. "Thou wilt not refuse thy Concha the only
thing she has ever begged of thee. And I beg! I
beg! Papa mio! I love him! I love him!" And
she broke into wild weeping and kissed him franti-
cally, while Rezanov who had followed her plan of
attack and resistance in silent admiration, did not
know whether he should himself be moved to tears
 Rezanov |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from To-morrow by Joseph Conrad: ber ship, and to have been seen dangling after some
girl; but the old man described a boy of fourteen
or so--"a clever-looking, high-spirited boy." And
when people only smiled at this he would rub his
forehead in a confused sort of way before he slunk
off, looking offended. He found nobody, of
course; not a trace of anybody--never heard of
anything worth belief, at any rate; but he had not
been able somehow to tear himself away from Cole-
brook.
"It was the shock of this disappointment, per-
 To-morrow |
The third excerpt represents the future or something you must embrace, and is drawn from An Old Maid by Honore de Balzac: were occasionally ill; a few travelled about the department on
business; but certain of the faithful came every night (unless invited
elsewhere), and so did certain others compelled by duties or by habit
to live permanently in the town. All the personages were of ripe age;
few among them had ever travelled; nearly all had spent their lives in
the provinces, and some had taken part in the chouannerie. The latter
were beginning to speak fearlessly of that war, now that rewards were
being showered on the defenders of the good cause. Monsieur de Valois,
one of the movers in the last uprising (during which the Marquis de
Montauran, betrayed by his mistress, perished in spite of the devotion
of Marche-a-Terre, now tranquilly raising cattle for the market near
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