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Today's Stichomancy for Kate Moss

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Redheaded Outfield by Zane Grey:

``Nanny's Goat!'' he shouted from the coaching lines. Every Providence player took it up.

The Rube was not proof against that. He yelled so fiercely at them, and glared so furiously, and towered so formidably, that they ceased for the moment. Then he let drive with his fast straight ball and hit the first Providence batter in the ribs. His comrades had to help him to the bench. The Rube hit the next batter on the leg, and judging from the crack of the ball, I fancied


The Redheaded Outfield
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Night and Day by Virginia Woolf:

probably in advance of him. But she pictured herself opening the drawing-room door, and William and Cassandra looking up, and Ralph's entrance a moment later, and the glances--the insinuations. No; she could not face it. She would write him a letter and take it at once to his house. She bought paper and pencil at the bookstall, and entered an A.B.C. shop, where, by ordering a cup of coffee, she secured an empty table, and began at vice to write:

"I came to meet you and I have missed you. I could not face William and Cassandra. They want us--" here she paused. "They insist that we are engaged," she substituted, "and we couldn't talk at all, or explain anything. I want--" Her wants were so vast, now that she was

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Study of a Woman by Honore de Balzac:

The Seamy Side of History The Magic Skin A Second Home A Prince of Bohemia Letters of Two Brides The Muse of the Department The Imaginary Mistress The Middle Classes Cousin Betty The Country Parson In addition, M. Bianchon narrated the following:

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

stairs. At the bend, just where Frau Nirlanger had turned, I too stopped and looked over my shoulder. Von Gerhard was standing as I had left him, looking up at me. And like Frau Nirlanger, I wafted a little kiss in his direction, before I allowed the bend in the stairs to cut off my view. But Von Gerhard did not signify by look or word that he had seen it, as he stood looking up at me, one strong white hand resting on the broad baluster.

CHAPTER XVI

JUNE MOONLIGHT, AND A NEW BOARDINGHOUSE

There was a week in which to scurry about for a new home.