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Today's Stichomancy for Keith Richards

The first excerpt represents the past or something you must release, and is drawn from Pride and Prejudice by Jane Austen:

I shall see them soon here."

Elizabeth shook her head over this letter. It convinced her that accident only could discover to Mr. Bingley her sister's being in town.

Four weeks passed away, and Jane saw nothing of him. She endeavoured to persuade herself that she did not regret it; but she could no longer be blind to Miss Bingley's inattention. After waiting at home every morning for a fortnight, and inventing every evening a fresh excuse for her, the visitor did at last appear; but the shortness of her stay, and yet more, the alteration of her manner would allow Jane to deceive herself no longer.


Pride and Prejudice
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Critias by Plato:

also a warrior class originally set apart by divine men. The latter dwelt by themselves, and had all things suitable for nurture and education; neither had any of them anything of their own, but they regarded all that they had as common property; nor did they claim to receive of the other citizens anything more than their necessary food. And they practised all the pursuits which we yesterday described as those of our imaginary guardians. Concerning the country the Egyptian priests said what is not only probable but manifestly true, that the boundaries were in those days fixed by the Isthmus, and that in the direction of the continent they extended as far as the heights of Cithaeron and Parnes; the boundary line came down in the direction of the sea, having the district of Oropus on the

The third excerpt represents the future or something you must embrace, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

overgrown with bushes than he had yet encountered, prepared to gloat his eyes upon the contents of the pouch, Tarzan paused directly above him, intent upon the same object.

Wetting his thin lips with his tongue, Achmet Zek loosened the tie strings which closed the mouth of the pouch, and cupping one claw-like hand poured forth a portion of the contents into his palm.

A single look he took at the stones lying in his hand. His eyes narrowed, a curse broke from his lips, and he hurled the small objects upon the ground, disdainfully.


Tarzan and the Jewels of Opar