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Today's Stichomancy for Keith Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Man of Business by Honore de Balzac:

new word comes to supply the place of an unwieldy circumlocution, its fortune is assured; the word /lorette/ has passed into the language of every class of society, even where the lorette herself will never gain an entrance. It was only invented in 1840, and derived beyond a doubt from the agglomeration of such swallows' nests about the Church of Our Lady of Loretto. This information is for etymoligists only. Those gentlemen would not be so often in a quandary if mediaeval writers had only taken such pains with details of contemporary manners as we take in these days of analysis and description.

Mlle. Turquet, or Malaga, for she is better known by her pseudonym (See /La fausse Maitresse/.), was one of the earliest parishioners of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Battle of the Books by Jonathan Swift:

Lord, to support her weakness, and patience to endure her pains, without repining at Thy correction. Forgive every rash and inconsiderate expression which her anguish may at any time force from her tongue, while her heart continueth in an entire submission to Thy Will. Suppress in her, O Lord, all eager desires of life, and lesson her fears of death, by inspiring into her an humble yet assured hope of Thy mercy. Give her a sincere repentance for all her transgressions and omissions, and a firm resolution to pass the remainder of her life in endeavouring to her utmost to observe all thy precepts. We beseech Thee likewise to compose her thoughts, and preserve to her the use of her memory and reason during the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Daisy Miller by Henry James:

"It's a pity these rooms are so small; we can't dance," she said to Winterbourne, as if she had seen him five minutes before.

"I am not sorry we can't dance," Winterbourne answered; "I don't dance."

"Of course you don't dance; you're too stiff," said Miss Daisy. "I hope you enjoyed your drive with Mrs. Walker!"

"No. I didn't enjoy it; I preferred walking with you."

"We paired off: that was much better," said Daisy. "But did you ever hear anything so cool as Mrs. Walker's wanting me to get into her carriage and drop poor Mr. Giovanelli, and under the pretext that it was proper?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Communist Manifesto by Karl Marx:

The essential condition for the existence, and for the sway of the bourgeois class, is the formation and augmentation of capital; the condition for capital is wage-labour. Wage-labour rests exclusively on competition between the laborers. The advance of industry, whose involuntary promoter is the bourgeoisie, replaces the isolation of the labourers, due to competition, by their revolutionary combination, due to association. The development of Modern Industry, therefore, cuts from under its feet the very foundation on which the bourgeoisie produces and appropriates products. What the bourgeoisie, therefore, produces, above all, is its own grave-diggers. Its


The Communist Manifesto