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Today's Stichomancy for Keith Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

ranged the jungle in the country of Mbonga, the chief. I was already a witch-doctor when you slew Kulonga and the others, and when you robbed our huts and our poison pot. At first I did not remember you; but at last I did--the white-skinned ape that lived with the hairy apes and made life miserable in the village of Mbonga, the chief--the forest god--the Munango-Keewati for whom we set food outside our gates and who came and ate it. Tell me before I die--are you man or devil?"

Tarzan laughed. "I am a man," he said.

The old fellow sighed and shook his head. "You have


Tarzan and the Jewels of Opar
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hidden Masterpiece by Honore de Balzac:

stopping from time to time and hesitating, like a newly fledged courier doubtful as to what sort of reception the king might grant him.

When he reached the upper landing of the spiral ascent, he paused a moment before laying hold of a grotesque knocker which ornamented the door of the atelier where the famous painter of Henry IV.--neglected by Marie de Medicis for Rubens--was probably at work. The young man felt the strong sensation which vibrates in the soul of great artists when, in the flush of youth and of their ardor for art, they approach a man of genius or a masterpiece. In all human sentiments there are, as it were, primeval flowers bred of noble enthusiasms, which droop

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

When he awakened they were still higher. The snow-peak towered above and the valleys were dizzying! Semmering was getting near. They were frequently in darkness; and between the tunnels were long lines of granite avalanche sheds. The little passage of the car was full of tourists looking down.

"We are very close, I am sure," an American girl was saying just outside the doorway. "See, isn't that the Kurhaus? There, it is lost again."

The tourists in the passage were Americans and the girl who had spoken was young and attractive. Stewart noticed them for the first time and moved to a more decorous distance from Marie.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Elixir of Life by Honore de Balzac:

stone, as some lithographers would have us believe.

When Don Juan Belvidero reached the age of sixty he settled in Spain, and there in his old age he married a young and charming Andalusian wife. But of set purpose he was neither a good husband nor a good father. He had observed that we are never so tenderly loved as by women to whom we scarcely give a thought. Dona Elvira had been devoutly brought up by an old aunt in a castle a few leagues from San-Lucar in a remote part of Andalusia. She was a model of devotion and grace. Don Juan foresaw that this would be a woman who would struggle long against a passion before yielding, and therefore hoped to keep her virtuous until his