| The first excerpt represents the past or something you must release, and is drawn from A Passion in the Desert by Honore de Balzac: was in his own heart. The Provencal was twenty-two years old:--he
loaded his carbine.
"There'll be time enough," he said to himself, laying on the ground
the weapon which alone could bring him deliverance.
Viewing alternately the dark expanse of the desert and the blue
expanse of the sky, the soldier dreamed of France--he smelled with
delight the gutters of Paris--he remembered the towns through which he
had passed, the faces of his comrades, the most minute details of his
life. His Southern fancy soon showed him the stones of his beloved
Provence, in the play of the heat which undulated above the wide
expanse of the desert. Realizing the danger of this cruel mirage, he
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Othello by William Shakespeare: Their purposes toward Cyprus. Signior Montano,
Your trustie and most Valiant Seruitour,
With his free dutie, recommends you thus,
And prayes you to beleeue him
Duke. 'Tis certaine then for Cyprus:
Marcus Luccicos is not he in Towne?
1.Sen. He's now in Florence
Duke. Write from vs,
To him, Post, Post-haste, dispatch
1.Sen. Here comes Brabantio, and the Valiant Moore.
Enter Brabantio, Othello, Cassio, Iago, Rodorigo, and Officers.
 Othello |
The third excerpt represents the future or something you must embrace, and is drawn from Hermione's Little Group of Serious Thinkers by Don Marquis: Isn't it simply wonderful!
CONCENTRATION
Isn't it just simply terrible the way the Balkans
are bombarding Venice . . . all those beauti-
ful Doges and things, you know.
I suppose there will be nothing left, just simply
nothing, of the city that Byron wrote about in
in -- what was it? Oh, yes, in "Childe Harold to
the Dark Tower Came."
That's one comforting thing to think of if this
country ever gets into a war, isn't it? I mean that
|