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Today's Stichomancy for Keith Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Northanger Abbey by Jane Austen:

his eating, she had, by her own unassisted observation, already discovered; but why he should say one thing so positively, and mean another all the while, was most unaccountable! How were people, at that rate, to be understood? Who but Henry could have been aware of what his father was at?

From Saturday to Wednesday, however, they were now to be without Henry. This was the sad finale of every reflection: and Captain Tilney's letter would certainly come in his absence; and Wednesday she was very sure would be wet. The past, present, and future were all equally in gloom.


Northanger Abbey
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lone Star Ranger by Zane Grey:

being there not an ugly dream? What had he in common with such ruffians? Then in a flash of memory came the painful proof--he was a criminal in sight of Texas law; he, too, was an outcast.

For the moment Duane was wrapped up in painful reflections; but Euchre's heavy hand, clapping with a warning hold on his arm, brought him back to outside things.

The hum of voices, the clink of coin, the loud laughter had ceased. There was a silence that manifestly had followed some unusual word or action sufficient to still the room. It was broken by a harsh curse and the scrape of a bench on the floor. Some man had risen.


The Lone Star Ranger
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from New Arabian Nights by Robert Louis Stevenson:

your secret is as safe with me as if I were in Graden Floe. I have scarce spoken to any one for years; my horse is my only companion, and even he, poor beast, is not beside me. You see, then, you may count on me for silence. So tell me the truth, my dear young lady, are you not in danger?"

"Mr. Northmour says you are an honourable man," she returned, "and I believe it when I see you. I will tell you so much; you are right; we are in dreadful, dreadful danger, and you share it by remaining where you are."

"Ah!" said I; "you have heard of me from Northmour? And he gives me a good character?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Criminal Sociology by Enrico Ferri:

yielded all it could, and writers of the present day who still cling to it can only recast the old material. The youngest of them, indeed, are condemned to a sort of Byzantine discussion of

scholastic formulas, and to a sterile process of scientific rumination.

And meantime, outside our universities and academies, criminality continues to grow, and the punishments hitherto inflicted, though they can neither protect nor indemnify the honest, succeed in corrupting and degrading evil-doers. And whilst our treatises and codes (which are too often mere treatises cut up into segments) lose themselves in the fog of their legal abstractions, we feel