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Today's Stichomancy for Keith Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Cavalry General by Xenophon:

you can best conceal your advance, or, still better, on both flanks simultaneously; since, while one detachment is retiring after delivering its attack, a charge pressed home from the opposite quarter cannot fail to throw the enemy into confusion and to give safety to your friends.

[17] N.B. Throughout this treatise the author has to meet the case of a small force of cavalry acting on the defensive.

How excellent a thing it is to endeavour to ascertain an enemy's position by means of spies and so forth, as in ancient story; yet best of all, in my opinion, is it for the commander to try to seize some coign of vantage, from which with his own eyes he may descry the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Finished by H. Rider Haggard:

want to go alone. So we started. Evidently the beast had been badly hit, for the blood spoor was easy to follow. Yet it had been able to retreat up to the end of the kloof that terminated in a cliff over which trickled a stream of water. Here it was not more than a hundred paces wide, and on either side of it were other precipitous cliffs. As we went from one of these a war-horn, such as the Basutos use, was blown. Although I heard it, oddly enough, I paid no attention to it at the time, being utterly intent upon the business in hand.

Following a wounded buffalo bull up a tree-clad and stony kloof is no game for children, as these beasts have a habit of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

But though this sense of vast neglected duties had no power to draw me, it could make me silent and preoccupied, it robbed the days I had spent of half their brightness and roused me into dark meditations in the silence of the night. And as I stood and watched Evesham's aeroplanes sweep to and fro--those birds of infinite ill omen--she stood beside me watching me, perceiving the trouble indeed, but not perceiving it clearly--her eyes questioning my face, her expression shaded with perplexity. Her face was gray because the sunset was fading out of the sky. It was no fault of hers that she held me. She had asked me to go from her, and again in the night time and with tears she had asked me to go.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Enemies of Books by William Blades:

Certain volumes, indeed, have evil tempers, and will scratch the faces of all their neighbours who are too familiar with them. Such are books with metal clasps and rivets on their edges; and such, again, are those abominable old rascals, chiefly born in the fifteenth century, who are proud of being dressed in REAL boards with brass corners, and pass their lives with fearful knobs and metal bosses, mostly five in number, firmly fixed on one of their sides. If the tendencies of such ruffians are not curbed, they will do as much mischief to their gentle neighbours as when a "collie" worries the sheep. These evil results may always be minimized by placing a piece of millboard between the culprit and his victim.