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Today's Stichomancy for Keith Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In Darkest England and The Way Out by General William Booth:

this class. I believe, at the present moment, the Salvation Army supplies more food and shelter to the destitute than any other organisation in London, and it is the experience and encouragement which I have gained in the working of these Food and Shelter Depots which has largely encouraged me to propound this scheme.

SECTION 1.--FOOD AND SHELTER FOR EVERY MAN.

As I rode through Canada and the United States some three years ago, I was greatly impressed with the superabundance of food which I saw at every turn. Oh, how I longed that the poor starving people, and the hungry children of the East of London and of other centres of our destitute populations, should come into the midst of this abundance,


In Darkest England and The Way Out
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Criminal Sociology by Enrico Ferri:

lunatics, 230--The treatment of insane criminals, 232--Crime and madness, 234--Classification of asylums for criminal lunatics, 237--The treatment of born criminals, 238--The death penalty, 239--Extension of the death penalty, 243--Inadequacy of the death penalty, 245--Imprisonment for life, 246--Transportation, 248-- Labour settlements, 249--Establishments for habitual criminals, 250--Criminal heredity, 251--Incorrigible offenders, 252-- Cumulative sentences, 253--Uncorrected or incorrigible criminals, 254--Cellular prisons, 256--Solitary confinement, 257--The progressive system of imprisonment, 257--The evils of cellular imprisonment, 260 --The cell does not secure separation, 262--

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

but this desertion of the waterways impressed Sir William himself; and I have heard him more than once express a sense of intimidation. "I have come too late, I fear; they must have dug up the hatchet;" he said; and the future proved how justly he had reasoned.

I could never depict the blackness of my soul upon this journey. I have none of those minds that are in love with the unusual: to see the winter coming and to lie in the field so far from any house, oppressed me like a nightmare; it seemed, indeed, a kind of awful braving of God's power; and this thought, which I daresay only writes me down a coward, was greatly exaggerated by my private

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Poems by T. S. Eliot:

Arms that lie along a table, or wrap about a shawl. And should I then presume? And how should I begin? . . . . . . . . . Shall I say, I have gone at dusk through narrow streets And watched the smoke that rises from the pipes Of lonely men in shirt-sleeves, leaning out of windows?

I should have been a pair of ragged claws Scuttling across the doors of silent seas. . . . . . . . . . And the afternoon, the evening, sleeps so peacefully!