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Today's Stichomancy for Kelsey Grammer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Buttered Side Down by Edna Ferber:

her glasses at the dapper, well-dressed traveling salesman who was rolling off the items on his sale bill. That is a trick which would make the prettiest kind of a girl look owlish.

On the night that Sam Miller strolled up to talk to her, Pearlie was working late. She had promised to get out a long and intricate bill for Max Baum, who travels for Kuhn and Klingman, so that he might take the nine o'clock evening train. The irrepressible Max had departed with much eclat and clatter, and Pearlie was preparing to go home when Sam approached her.

Sam had just come in from the Gayety Theater across the street, whither he had gone in a vain search for amusement after


Buttered Side Down
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lair of the White Worm by Bram Stoker:

evil dreams for the remainder of her life. The whole place looked as if a sea of blood had been beating against it. Each of the explosions from below had thrown out from the well-hole, as if it had been the mouth of a cannon, a mass of fine sand mixed with blood, and a horrible repulsive slime in which were great red masses of rent and torn flesh and fat. As the explosions kept on, more and more of this repulsive mass was shot up, the great bulk of it falling back again. Many of the awful fragments were of something which had lately been alive. They quivered and trembled and writhed as though they were still in torment, a supposition to which the unending scream gave a horrible credence. At moments some


Lair of the White Worm
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Prince of Bohemia by Honore de Balzac:

when invention fails? We are coming to this, dear; we shall go in quest of adventures, not so much for the pleasure of them as for the sake of having the story to tell afterwards."

"After all, you and the Marquise de Rochefide have paid the rent, and I do not think, from the way things are going here, that I ever pay yours."

"Who knows? Perhaps the same good luck that befell Mme. de Rochefide may come to you."

"Do you call it good luck to go back to one's husband?"

"No; only great luck. Come, I am listening."

And Mme. de la Baudraye read as follows:

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twilight Land by Howard Pyle:

So by-and-by the money was spent, and there was an end of it.

Yes; there was an end of it; and where were all of Beppo's fair-weather friends? Gone like the wild-geese in frosty weather.

"Don't you remember how I gave you a bagful of gold?" says Beppo the Foolish. "Won't you remember me now in my time of need?"

But the fair-weather friend only laughed in his face.

"Don't you remember how I gave you a fine gold chain with a diamond pendant?" says Beppo to another. "And won't you lend me a little money to help me over to-day?"

But the summer-goose friend only grinned.

"But what shall I do to keep body and soul together?" says Beppo