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Today's Stichomancy for Kelsey Grammer

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Daisy Miller by Henry James:

whether she was seriously wounded, and for a moment almost wished that her sense of injury might be such as to make it becoming in him to attempt to reassure and comfort her. He had a pleasant sense that she would be very approachable for consolatory purposes. He felt then, for the instant, quite ready to sacrifice his aunt, conversationally; to admit that she was a proud, rude woman, and to declare that they needn't mind her. But before he had time to commit himself to this perilous mixture of gallantry and impiety, the young lady, resuming her walk, gave an exclamation in quite another tone. "Well, here's Mother! I guess she hasn't got Randolph to go to bed."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Love Songs by Sara Teasdale:

American poet." -- `The Boston Transcript'.

"`Rivers to the Sea' is the most charming volume of poetry that has appeared on either side of the Atlantic in a score of years." -- `St. Louis Republic'.

Sara Teasdale (1884-1933):

Teasdale was born in St. Louis, Missouri, where she attended a school that was founded by the grandfather of another great poet from St. Louis -- T. S. Eliot. She later associated herself more with New York City. Her first book of poems was "Sonnets to Duse" (1907), [at least one poem in the current volume, "Faults", is from this book,] but "Helen of Troy" (1911) was the true launch of her career, followed by "Rivers to the Sea" (1915), "Love Songs" (1917),

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from One Basket by Edna Ferber:

elm whose branches were etched eerily against his window in the ghostly light --these things he had never needed. He had known. But here in the un- sylvan section of Chicago which bears the bosky name of Englewood, the very darkness had a strange quality.

A hundred unfamiliar noises misled him. There were no cocks, no cattle, no elm. Above all, there was no instinctive feeling. Once, when they first came to the city, he had risen at twelve-thirty, thinking it was morning, and had gone clumping about the flat, waking up everyone and loosing from his wife's lips a stream of acid vituperation that seared even his case-hardened sensibilities. The people sleeping in the bedroom


One Basket
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Aesop's Fables by Aesop:

The Lion once gave out that he was sick unto death and summoned the animals to come and hear his last Will and Testament. So the Goat came to the Lion's cave, and stopped there listening for a long time. Then a Sheep went in, and before she came out a Calf came up to receive the last wishes of the Lord of the Beasts. But soon the Lion seemed to recover, and came to the mouth of his cave, and saw the Fox, who had been waiting outside for some time. "Why do you not come to pay your respects to me?" said the Lion to the Fox.

"I beg your Majesty's pardon," said the Fox, "but I noticed the track of the animals that have already come to you; and while


Aesop's Fables