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Today's Stichomancy for Ken Nordine

The first excerpt represents the past or something you must release, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

and just beyond the larkspurs, on the grass, is a semicircle of standard tea and pillar roses.

In front of the house the long borders have been stocked with larkspurs, annual and perennial, columbines, giant poppies, pinks, Madonna lilies, wallflowers, hollyhocks, perennial phloxes, peonies, lavender, starworts, cornflowers, Lychnis chalcedonica, and bulbs packed in wherever bulbs could go. These are the borders that were so hardly used by the other gardener. The spring boxes for the verandah steps have been filled with pink and white and yellow tulips. I love tulips better than any other spring flower; they are the embodiment of alert cheerfulness and tidy grace,


Elizabeth and her German Garden
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Marvelous Land of Oz by L. Frank Baum:

"Yes; but my mouth is painted on, and there's no swallow connected with it,' answered the Scarecrow. "In fact," he continued, looking from one to another critically, "I believe the boy and the Woggle-Bug are the only ones in our party that are able to swallow."

Observing the truth of this remark, Tip said:

"Then I will undertake to make the first wish. Give me one of the Silver Pills."

This the Scarecrow tried to do; but his padded gloves were too clumsy to clutch so small an object, and he held the box toward the boy while Tip selected one of the pills and swallowed it.

"Count!" cried the Scarecrow.


The Marvelous Land of Oz
The third excerpt represents the future or something you must embrace, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

and dry official records of the British Colonial Office to support many of the salient features of his remarkable narrative.

I do not say the story is true, for I did not witness the happenings which it portrays, but the fact that in the telling of it to you I have taken fictitious names for the principal characters quite sufficiently evidences the sincerity of my own belief that it MAY be true.

The yellow, mildewed pages of the diary of a man long dead, and the records of the Colonial Office dovetail perfectly with the narrative of my convivial host, and so I give you the story as I painstakingly pieced it out from these several various agencies.


Tarzan of the Apes