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Today's Stichomancy for Ken Nordine

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Heart of the West by O. Henry:

good and at it, why--old Santa'll slide in the door. I reckon there'll be plenty of gifts to go 'round."

The ladies were flitting about the tree, giving it final touches that were never final. The Spangled Sisters were there in costume as Lady Violet de Vere and Marie, the maid, in their new drama, "The Miner's Bride." The theatre did not open until nine, and they were welcome assistants of the Christmas tree committee. Every minute heads would pop out the door to look and listen for the approach of Trinidad's team. And now this became an anxious function, for night had fallen and it would soon be necessary to light the candles on the tree, and Cherokee was apt to make an irruption at any time in his Kriss Kringle


Heart of the West
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Young Forester by Zane Grey:

when the trees obscured it I traveled some distance without getting a good view of it. Passing down into a little hollow I lost it again. When I climbed out I hauled up short with a sharp catch of my breath. There were several figures moving around the campfire. I had stumbled on a camp that surely was not Dick Leslie's.

The ground was as soft as velvet, and my footsteps gave forth no sound. When the wind lulled I paused behind a tree and waited for another gusty roar. I kept very close to the trail, for that was the only means by which I could return to my horses. I felt the skin tighten on my face. Suddenly, as I paused, I beard angry voices, pitched high. But I could not make out the words.


The Young Forester
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Jungle by Upton Sinclair:

efforts of men who kept shoveling it through holes; it must have made the floor slippery, but no one could have guessed this by watching the men at work.

The carcass hung for a few minutes to bleed; there was no time lost, however, for there were several hanging in each line, and one was always ready. It was let down to the ground, and there came the "headsman," whose task it was to sever the head, with two or three swift strokes. Then came the "floorsman," to make the first cut in the skin; and then another to finish ripping the skin down the center; and then half a dozen more in swift succession, to finish the skinning. After they were through, the carcass was again swung up; and while a man with a stick examined the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Unseen World and Other Essays by John Fiske:

beyond consciousness. We do very well to speak of "matter" in common parlance, but all that the word really means is a group of qualities which have no existence apart from our minds. Modern philosophers have quite generally accepted this conclusion, and every attempt to overturn Berkeley's reasoning has hitherto resulted in complete and disastrous failure. In admitting this, we do not admit the conclusion of Absolute Idealism, that nothing exists outside of consciousness. What we admit as existing independently of our own consciousness is the Power that causes in us those conscious states which we call the perception of material qualities. We have no reason for regarding this Power as


The Unseen World and Other Essays