| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Z. Marcas by Honore de Balzac: So we called him the Ruins of Palmyra.
As we went out to dine at the wretched eating-house in the Rue de la
Harpe to which we subscribed, we asked the name of Number 37, and then
heard the weird name Z. Marcas. Like boys, as we were, we repeated it
more than a hundred times with all sorts of comments, absurd or
melancholy, and the name lent itself to a jest. Juste would fire off
the Z like a rocket rising, /z-z-z-z-zed/; and after pronouncing the
first syllable of the name with great importance, depicted a fall by
the dull brevity of the second.
"Now, how and where does the man live?"
From this query, to the innocent espionage of curiosity there was no
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Men of Iron by Howard Pyle: prance. Myles was not sorry for the interruption; he felt awkward
and abashed at the parting, and at the old man's reminiscences,
knowing that Gascoyne's eyes were resting amusedly upon the
scene, and that the men-at-arms were looking on. Certainly old
Diccon did look droll as he struggled vainly with his vicious
high-necked nag. "Nay, a murrain on thee! an' thou wilt go, go!"
cried he at last, with a savage dig of his heels into the
animal's ribs, and away they clattered, the led-horse kicking up
its heels as a final parting, setting Gascoyne fairly alaughing.
At the bend of the road the old man turned and nodded his head;
the next moment he had disappeared around the angle of the wall,
 Men of Iron |