Today's Stichomancy for Kid Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Woodlanders by Thomas Hardy:

a violent fit of sobbing.

Grace started roughly away from the shelter of the fur, and sprang to her feet.

"Oh, my God!" she exclaimed, thunderstruck at a revelation transcending her utmost suspicion. "Can it be--can it be!"

She turned as if to hasten away. But Felice Charmond's sobs came to her ear: deep darkness circled her about, the funereal trees rocked and chanted their diriges and placebos around her, and she did not know which way to go. After a moment of energy she felt mild again, and turned to the motionless woman at her feet.

"Are you rested?" she asked, in what seemed something like her own

The Woodlanders

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from La Grenadiere by Honore de Balzac:

stony footpath between two terraces, for here the soil is banked up, and walls are built to prevent landslips. These earthworks, as it were, are crowned with trellises and espaliers, so that the steep path that lies at the foot of the upper wall is almost hidden by the trees that grow on the top of the lower, upon which it lies. The view of the river widens out before you at every step as you climb to the house.

At the end you come to a second gateway, a Gothic archway covered with simple ornament, now crumbling into ruin and overgrown with wildflowers--moss and ivy, wallflowers and pellitory. Every stone wall on the hillside is decked with this ineradicable plant-life, which springs up along the cracks afresh with new wreaths for every time of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from House of Mirth by Edith Wharton:

retrospection by an act of definite refusal. She took up her pen and wrote hastily: "TOMORROW AT FOUR;" murmuring to herself, as she slipped the sheet into its envelope: "I can easily put him off when tomorrow comes."

Judy Trenor's summons was very welcome to Lily. It was the first time she had received a direct communication from Bellomont since the close of her last visit there, and she was still visited by the dread of having incurred Judy's displeasure. But this characteristic command seemed to reestablish their former relations; and Lily smiled at the thought that her friend had probably summoned her in order to hear about the Brys'

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from New Arabian Nights by Robert Louis Stevenson:

late. Dr. Noel, in a tall night-cap, carrying a lamp which lighted up his long white countenance, sidling in his gait, and peering and cocking his head like some sort of bird, pushed the door slowly open, and advanced into the middle of the room.

"I thought I heard a cry," began the Doctor, "and fearing you might be unwell I did not hesitate to offer this intrusion."

Silas, with a flushed face and a fearful beating heart, kept between the Doctor and the bed; but he found no voice to answer.

"You are in the dark," pursued the Doctor; "and yet you have not even begun to prepare for rest. You will not easily persuade me against my own eyesight; and your face declares most eloquently