| The first excerpt represents the past or something you must release, and is drawn from The Voice of the City by O. Henry: for me when you borrowed it. And now, let's drop
the subject. I'm off to the West on a morning train.
I know a place out there where I can negotiate the
Norcross sparks. Drink up, Barney, and forget your
troubles. We'll have a jolly time while the police
are knocking their heads together over the case.
I've got one of my Sahara thirsts on to-night. But
I'm in the bands -- the unofficial bands -- of my old
friend Barney, and I won't even dream of a cop."
And then, as Kernan's ready finger kept the but-
ton and the waiter working, his weak point -- a tre-
 The Voice of the City |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Burning Daylight by Jack London: what they say." Daylight rubbed Bob's rebellious ear with his
quirt and pondered with dissatisfaction the words he had just
uttered. They did not say what he had meant them to say. "What
I'm driving at is that you say flatfooted that you won't meet me
again, and you give your reasons, but how am I to know they are
your real reasons? Mebbe you just don't want to get acquainted
with me, and won't say so for fear of hurting my feelings. Don't
you see? I'm the last man in the world to shove in where I'm not
wanted. And if I thought you didn't care a whoop to see anything
more of me, why, I'd clear out so blamed quick you couldn't see
me for smoke."
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The third excerpt represents the future or something you must embrace, and is drawn from The Silverado Squatters by Robert Louis Stevenson: pines, with its streamlet and water-tank; its backwoods,
toll-bar, and well trodden croquet ground; the ostler
standing by the stable door, chewing a straw; a glimpse of
the Chinese cook in the back parts; and Mr. Hoddy in the bar,
gravely alert and serviceable, and equally anxious to lend or
borrow books; - dozed all day in the dusty sunshine, more
than half asleep. There were no neighbours, except the
Hansons up the hill. The traffic on the road was
infinitesimal; only, at rare intervals, a couple in a waggon,
or a dusty farmer on a springboard, toiling over "the grade"
to that metropolitan hamlet, Calistoga; and, at the fixed
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