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Today's Stichomancy for Kim Jong Il

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from King Henry VI by William Shakespeare:

THOMAS BEAUFORT, Duke of Exeter, great-uncle to the King HENRY BEAUFORT, great-uncle to the King, Bishop of Winchester, and afterwards Cardinal JOHN BEAUFORT, Earl, afterwards Duke, of Somerset RICHARD PLANTAGENET, son of Richard, late Earl of Cambridge, afterwards Duke of York EARL OF WARWICK EARL OF SALISBURY EARL OF SUFFOLK LORD TALBOT, afterwards Earl of Shrewbury JOHN TALBOT, his son

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Great God Pan by Arthur Machen:

read the account of Argentine's death. I didn't understand it at the time, and I don't now. I knew him well, and it completely passes my understanding for what possible cause he -- or any of the others for the matter of that--could have resolved in cold blood to die in such an awful manner. You know how men babble away each other's characters in London, you may be sure any buried scandal or hidden skeleton would have been brought to light in such a case as this; but nothing of the sort has taken place. As for the theory of mania, that is very well, of course, for the coroner's jury, but everybody knows that it's all nonsense. Suicidal mania is not small-pox."


The Great God Pan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Lover's Complaint by William Shakespeare:

Ink would have seem'd more black and damned here!' This said, in top of rage the lines she rents, Big discontent so breaking their contents.

A reverend man that grazed his cattle nigh, Sometime a blusterer, that the ruffle knew Of court, of city, and had let go by The swiftest hours, observed as they flew, Towards this afflicted fancy fastly drew; And, privileg'd by age, desires to know In brief, the grounds and motives of her woe.

So slides he down upon his grained bat,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan and the Jewels of Opar by Edgar Rice Burroughs:

however, did. A puzzled expression entered the Belgian's eyes. He shaded them with his palms and gazed long and earnestly toward the spot where the bungalow had stood. He could not credit the testimony of his eyes--there was no bungalow--no barns--no out- houses. The corrals, the hay stacks--all were gone. What could it mean?

And then, slowly there filtered into Werper's consciousness an explanation of the havoc that had been wrought in that peaceful valley since last his eyes had rested upon it--Achmet Zek had been there!


Tarzan and the Jewels of Opar