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Today's Stichomancy for Kirk Douglas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Daughter of Eve by Honore de Balzac:

the fashion. The lover, that nightmare of husbands, was everywhere, except perhaps in homes, where, in point of fact, under the bourgeois regime, he was less seen than formerly. It is not when every one rushes to their window and cries "Thief!" and lights the streets, that robbers abound. It is true that during those years so fruitful of turmoil--urban, political, and moral--a few matrimonial catastrophes took place; but these were exceptional, and less observed than they would have been under the Restoration. Nevertheless, women talked a great deal together about books and the stage, then the two chief forms of poesy. The lover thus became one of their leading topics,--a being rare in point of act and much desired. The few affairs which

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An International Episode by Henry James:

liable to come home all day."

This was discouraging; but the address of Mr. Westgate's office was freely imparted by the intelligent black and was taken down by Percy Beaumont in his pocketbook. The two gentlemen then returned, languidly, to their hotel, and sent for a hackney coach, and in this commodious vehicle they rolled comfortably downtown. They measured the whole length of Broadway again and found it a path of fire; and then, deflecting to the left, they were deposited by their conductor before a fresh, light, ornamental structure, ten stories high, in a street crowded with keen-faced, light-limbed young men,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phaedrus by Plato:

of names which have often hardly any connection with the historical characters to whom they belong. In this instance the comparative favour shown to Isocrates may possibly be accounted for by the circumstance of his belonging to the aristocratical, as Lysias to the democratical party.

Few persons will be inclined to suppose, in the superficial manner of some ancient critics, that a dialogue which treats of love must necessarily have been written in youth. As little weight can be attached to the argument that Plato must have visited Egypt before he wrote the story of Theuth and Thamus. For there is no real proof that he ever went to Egypt; and even if he did, he might have known or invented Egyptian traditions before he went there. The late date of the Phaedrus will have to be established by other

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pride and Prejudice by Jane Austen:

writer were at times widely different. When she remembered the style of his address, she was still full of indignation; but when she considered how unjustly she had condemned and upbraided him, her anger was turned against herself; and his disappointed feelings became the object of compassion. His attachment excited gratitude, his general character respect; but she could not approve him; nor could she for a moment repent her refusal, or feel the slightest inclination ever to see him again. In her own past behaviour, there was a constant source of vexation and regret; and in the unhappy defects of her family, a constant source of vexation and regret; and in the unhappy defects of her


Pride and Prejudice