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Today's Stichomancy for Kirk Douglas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Timaeus by Plato:

speculations on physics. The deeper foundations of the Platonic philosophy, such as the nature of God, the distinction of the sensible and intellectual, the great original conceptions of time and space, also appear in it. They are found principally in the first half of the dialogue. The construction of the heavens is for the most part ideal; the cyclic year serves as the connection between the world of absolute being and of generation, just as the number of population in the Republic is the expression or symbol of the transition from the ideal to the actual state. In some passages we are uncertain whether we are reading a description of astronomical facts or contemplating processes of the human mind, or of that divine mind (Phil.) which in Plato is hardly separable from it. The

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Importance of Being Earnest by Oscar Wilde:

in his domestic life. But I have no doubt his name would appear in any military directory.

JACK. The Army Lists of the last forty years are here. These delightful records should have been my constant study. [Rushes to bookcase and tears the books out.] M. Generals . . . Mallam, Maxbohm, Magley, what ghastly names they have - Markby, Migsby, Mobbs, Moncrieff! Lieutenant 1840, Captain, Lieutenant-Colonel, Colonel, General 1869, Christian names, Ernest John. [Puts book very quietly down and speaks quite calmly.] I always told you, Gwendolen, my name was Ernest, didn't I? Well, it is Ernest after all. I mean it naturally is Ernest.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

any other circumstances I would not have held on a minute longer. The second mate had followed me anxiously.

I looked on till I felt I could command my voice. "She will weather," I said then in a quiet tone. "Are you going to try that, sir?" he stammered out incredulously.

I took no notice of him and raised my tone just enough to be heard by the helmsman.

"Keep her good full."

"Good full, sir."

The wind fanned my cheek, the sails slept, the world was silent. The strain of watching the dark loom of the land grow bigger and


'Twixt Land & Sea
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Man of Business by Honore de Balzac:

blue flannel dressing-gown, slippers worked by some Marquise or other, trousers of white woolen stuff, and a dazzling shirt? There he stood, with a gorgeous cap on his black dyed hair, playing with the tassels at his waist--"

" 'Tis a bit of genre for anybody who knows what the pretty little morning room, hung with silk and full of valuable paintings, where Maxime breakfasts," said Nathan. "You tread on a Smyrna carpet, you admire the sideboards filled with curiosities and rarities fit to make a King of Saxony envious--"

"Now for the scene itself," said Desroches, and the deepest silence followed.