| The first excerpt represents the past or something you must release, and is drawn from Falk by Joseph Conrad: lips any more.
I started to the office perfectly calm. Calm with
excessive rage. Evidently they knew all about it
already, and they treated me to a show of conster-
nation. The manager, a soft-footed, immensely
obese man, breathing short, got up to meet me,
while all round the room the young clerks, bend-
ing over the papers on their desks, cast upward
glances in my direction. The fat man, without
waiting for my complaint, wheezing heavily and
in a tone as if he himself were incredulous, con-
Falk |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Taming of the Shrew by William Shakespeare: [Exit.]
PEDANT.
Help, son! help, Signior Baptista!
[Exit from the window.]
PETRUCHIO.
Prithee, Kate, let's stand aside and see the end of this
controversy.
[They retire.]
[Re-enter PEDANT below; BAPTISTA, TRANIO, and SERVANTS.]
TRANIO.
The Taming of the Shrew |
The third excerpt represents the future or something you must embrace, and is drawn from A Midsummer Night's Dream by William Shakespeare: And backe to Athens shall the Louers wend
With league, whose date till death shall neuer end.
Whiles I in this affaire do thee imploy,
Ile to my Queene, and beg her Indian Boy;
And then I will her charmed eie release
From monsters view, and all things shall be peace
Puck. My Fairie Lord, this must be done with haste,
For night-swift Dragons cut the Clouds full fast,
And yonder shines Auroras harbinger;
At whose approach Ghosts wandring here and there,
Troope home to Church-yards; damned spirits all,
A Midsummer Night's Dream |
