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Today's Stichomancy for Kurt Goedel

The first excerpt represents the past or something you must release, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

tried to force myself, and, stifling every emotion in a hard-hearted way, to be true to nature. I have been informed that this portrait is passing from hand to hand, and sowing unpleasant impressions, inspiring artists with feelings of envy, of dark hatred towards their brethren, with malicious thirst for persecution and oppression. May the Almighty preserve you from such passions! There is nothing more terrible.'

"He blessed and embraced me. Never in my life was I so grandly moved. Reverently, rather than with the feeling of a son, I leaned upon his breast, and kissed his scattered silver locks.

"Tears shone in his eyes. 'Fulfil my one request, my son,' said he, at


Taras Bulba and Other Tales
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Little Women by Louisa May Alcott:

nothing too good for her," returned Jo with infinite satisfaction.

"No more there is! Will you have hash or fishballs for breakfast?" asked Hannah, who wisely mingled poetry and prose.

"I don't care." And Jo shut the door, feeling that food was an uncongenial topic just then. She stood a minute looking at the party vanishing above, and as Demi's short plaid legs toiled up the last stair, a sudden sense of lonliness came over her so strongly that she looked about her with dim eyes, as if to find something to lean upon, for even Teddy had deserted her. If she had known what birthday gift was coming every minute nearer and nearer, she would not have said to herself, "I'll weep a little weep when I go to bed.


Little Women
The third excerpt represents the future or something you must embrace, and is drawn from Letters from England by Elizabeth Davis Bancroft:

of the lesser lights. I have put down my pen to answer a note, just brought in, to dine next Thursday with the Dowager Countess of Charleville, where we were last week, in the evening. She is eighty-four (tell this to Grandmamma) and likes still to surround herself with BEAUX and BELLES ESPRITS, and as her son and daughter reside with her, this is still easy . . . The old lady talks French as fast as possible, and troubles me somewhat by talking it to me, forgetting that a foreign minister's wife can talk English . . . Your father likes to be here. He has copying going on in the State Paper Office and British Museum, and his heart is full of manuscripts. It is the first thought, I believe, whoever he sees,