Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Kurt Goedel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays of Travel by Robert Louis Stevenson:

- these will seem to repay you for the discomforts of that early start; but as the hour proceeds, and these enchantments vanish, you will find yourself upon the farther side in yet another Alpine valley, snow white and coal black, with such another long-drawn congeries of hamlets and such another senseless watercourse bickering along the foot. You have had your moment; but you have not changed the scene. The mountains are about you like a trap; you cannot foot it up a hillside and behold the sea as a great plain, but live in holes and corners, and can change only one for another.

CHAPTER X - HEALTH AND MOUNTAINS

THERE has come a change in medical opinion, and a change has followed

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wheels of Chance by H. G. Wells:

"I don't think I ever met a lion-killer before," she remarked, evidently with a heightened opinion of him.

There was a pause. She seemed meditating further questions. Mr. Hoopdriver drew his watch hastily. "I say," said Mr. Hoopdriver, showing it to her, "don't you think we ought to be getting on?"

His face was flushed, his ears bright red. She ascribed his confusion to modesty. He rose with a lion added to the burthens of his conscience, and held out his hand to assist her. They walked down into Cosham again, resumed their machines, and went on at a leisurely pace along the northern shore of the big harbour. But Mr. Hoopdriver was no longer happy. This horrible,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson:

so unjust to the sufferer: or is more just in essence. LAISSEZ PASSER LA JUSTICE DE DIEU.

Lloyd has learned to use the typewriter, and has most gallantly completed upon that the draft of a tale, which seems to me not without merit and promise, it is so silly, so gay, so absurd, in spots (to my partial eyes) so genuinely humorous. It is true, he would not have written it but for the New Arabian Nights; but it is strange to find a young writer funny. Heavens, but I was depressing when I took the pen in hand! And now I doubt if I am sadder than my neighbours. Will this beginner move in the inverse direction?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maggie: A Girl of the Streets by Stephen Crane:

his face. Her eyes were darting flames of unreasoning rage and her frame trembled with eagerness for a fight.

"T'hell wid yehs! An' who deh hell are yehs? I ain't givin' a snap of me fingers fer yehs," she bawled at him. She turned her huge back in tremendous disdain and climbed the stairs to the next floor.

Jimmie followed, cursing blackly. At the top of the flight he seized his mother's arm and started to drag her toward the door of their room.

"Come home, damn yeh," he gritted between his teeth.

"Take yer hands off me! Take yer hands off me," shrieked his mother.

She raised her arm and whirled her great fist at her son's


Maggie: A Girl of the Streets