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Today's Stichomancy for Kurt Vonnegut

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Lover's Complaint by William Shakespeare:

Of burning blushes or of weeping water, Or swooning paleness; and he takes and leaves, In either's aptness, as it best deceives, To blush at speeches rank, to weep at woes, Or to turn white and swoon at tragic shows;

'That not a heart which in his level came Could scape the hail of his all-hurting aim, Showing fair nature is both kind and tame; And, veil'd in them, did win whom he would maim: Against the thing he sought he would exclaim; When he most burned in heart-wish'd luxury,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Fairy Tales by Hans Christian Andersen:

them; from children they become all at once grown-up-persons; it was as if their infant souls were now to fly all at once into persons with more understanding. The sun was shining gloriously; the children that had been confirmed went out of the town; and from the wood was borne towards them the sounds of the unknown bell with wonderful distinctness. They all immediately felt a wish to go thither; all except three. One of them had to go home to try on a ball-dress; for it was just the dress and the ball which had caused her to be confirmed this time, for otherwise she would not have come; the other was a poor boy, who had borrowed his coat and boots to be confirmed in from the innkeeper's son, and he was to give them back by a certain hour; the third said that he never went to a strange place if his parents were not with


Fairy Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Aspern Papers by Henry James:

But I tasted of no gossip from that fountain, and I afterward learned that Pasquale's affections were fixed upon an object that made him heedless of other women. This was a young lady with a powdered face, a yellow cotton gown, and much leisure, who used often to come to see him. She practiced, at her convenience, the art of a stringer of beads (these ornaments are made in Venice, in profusion; she had her pocket full of them, and I used to find them on the floor of my apartment), and kept an eye on the maiden in the house. It was not for me of course to make the domestics tattle, and I never said a word to Miss Bordereau's cook.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from When the Sleeper Wakes by H. G. Wells:

my downy days. It's curious to think of."

Warming turned. "And I have grown old too. I played cricket with him when I was still only a lad. And he looks a young man still. Yellow perhaps. But that is a young man nevertheless."

"And there's been the War," said Isbister.

"From beginning to end."

"And these Martians."

"I've understood," said Isbister after a pause, "that he had some moderate property of his own?"

"That is so," said Warming. He coughed primly.


When the Sleeper Wakes