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Today's Stichomancy for Kurt Vonnegut

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

philosophy hitherto has been tedious and has belonged to the soporific appliances--and that "virtue," in my opinion, has been MORE injured by the TEDIOUSNESS of its advocates than by anything else; at the same time, however, I would not wish to overlook their general usefulness. It is desirable that as few people as possible should reflect upon morals, and consequently it is very desirable that morals should not some day become interesting! But let us not be afraid! Things still remain today as they have always been: I see no one in Europe who has (or DISCLOSES) an idea of the fact that philosophizing concerning morals might be conducted in a dangerous, captious, and ensnaring manner--that


Beyond Good and Evil
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Nada the Lily by H. Rider Haggard:

voice to persuade him from sending an impi against the Halakazi. Now he saw that it was my purpose to rake this Halakazi fire with another hand than his, and to save his hand from the burning, and he thanked me.

Moreover, he said, that if this Chief of the People of the Axe brought him the maid his heart desired, not only would he forgive him the words he had spoken by the mouth of Masilo to the Black One who was dead, but also all the cattle of the Halakazi should be his, and he would make him great in the land. I answered that all this was as the king willed. I had but done my duty by the king and worked so that, whatever befell, a proud chief should be weakened and a foe should be


Nada the Lily
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shadow out of Time by H. P. Lovecraft:

find that my dreams had been so closely duplicated; especially since some of the accounts were too early to admit of any geological knowledge - and therefore of any idea of primitive landscapes - on the subjects' part. What is more, many of these accounts supplied very horrible details and explanations in connexion with the visions of great buildings and jungle gardens - and other things. The actual sights and vague impressions were bad enough, but what was hinted or asserted by some of the other dreamers savored of madness and blasphemy. Worst of all, my own pseudo-memory was aroused to milder dreams and hints of coming revelations.


Shadow out of Time
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Scenes from a Courtesan's Life by Honore de Balzac:

Lucien involuntarily compared Esther with Clotilde. The mistress was so beautiful, so unfailingly charming, that she had as yet kept at arm's length the monster who devours the most perennial loves-- Satiety.

"What a pity," thought he, "to find one's wife in two volumes. In one--poetry, delight, love, devotion, beauty, sweetness----"

Esther was fussing about, as women do, before going to bed; she came and went and fluttered round, singing all the time; you might have thought her a humming-bird.

"In the other--a noble name, family, honors, rank, knowledge of the world!--And no earthly means of combining them!" cried Lucien to