Today's Stichomancy for Kylie Minogue

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Nana, Miller's Daughter, Captain Burle, Death of Olivier Becaille by Emile Zola:

impulse, and leaving Bordenave, who was explaining to him the working of the rollers and windlasses, he came up in order to interrupt their confabulations. Nana lifted her eyes and smiled at him as she smiled at His Highness. But she kept her ears open notwithstanding, for she was waiting for her cue.

"The third act is the shortest, I believe," the prince began saying, for the count's presence embarrassed him.

She did not answer; her whole expression altered; she was suddenly intent on her business. With a rapid movement of the shoulders she had let her furs slip from her, and Mme Jules, standing behind, had caught them in her arms. And then after passing her two hands to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Far From the Madding Crowd by Thomas Hardy:

you would never be able to, I know." Oak cast his eyes down the field in a way implying that it was useless to attempt argument. "Mr. Oak." she said, with luminous distinctness and common sense, " you are better off than I. I have hardly a penny in the world -- I am staying with my aunt for my bare sustenance. I am better educated than you -- and I don't love you a bit: that's my side of the case. Now yours: you are a farmer just begin- ing; and you ought in common prudence, if you marry at all (which you should certainly not think of doing

Far From the Madding Crowd

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sophist by Plato:

leaders of the rest of mankind. Plato ridicules the notion that any individuals can corrupt youth to a degree worth speaking of in comparison with the greater influence of public opinion. But there is no real inconsistency between this and other descriptions of the Sophist which occur in the Platonic writings. For Plato is not justifying the Sophists in the passage just quoted, but only representing their power to be contemptible; they are to be despised rather than feared, and are no worse than the rest of mankind. But a teacher or statesman may be justly condemned, who is on a level with mankind when he ought to be above them. There is another point of view in which this passage should also be considered. The great enemy of Plato is the world, not exactly in the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Democracy In America, Volume 1 by Alexis de Toqueville:

civilized. Thence the want of civil laws was felt; and the order of legal functionaries soon rose from the obscurity of the tribunals and their dusty chambers, to appear at the court of the monarch, by the side of the feudal barons in their ermine and their mail. Whilst the kings were ruining themselves by their great enterprises, and the nobles exhausting their resources by private wars, the lower orders were enriching themselves by commerce. The influence of money began to be perceptible in State affairs. The transactions of business opened a new road to power, and the financier rose to a station of political influence in which he was at once flattered and despised. Gradually the