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Today's Stichomancy for Kylie Minogue

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A treatise on Good Works by Dr. Martin Luther:

the others are to grow, and until they do so the first class must endure and instruct them. Therefore we must not despise, as if they were hopeless, these men of weak faith, who would gladly do right and learn, and yet cannot understand because of the ceremonies to which they cling; we must rather blame their ignorant, blind teachers, who have never taught them the faith, and have led them so deeply into works. They must be gently and gradually led back again to faith, as a sick man is treated, and must be allowed for a time, for their conscience sake, to cling to some works and do them as necessary to salvation, so long as they rightly grasp the faith; lest if we try to tear them out so

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Memorabilia by Xenophon:

'well and justly' performed of which he is the doer." Heaven help us! If a man fail to adorn the sepulchre of his dead parents the state takes cognisance of the matter, and inquisition is made in the scrutiny of the magistrates.[6] And as for you, my son, if you are in your sober senses, you will earnestly entreat your mother, lest the very gods take you to be an ungrateful being, and on their side also refuse to do you good; and you will beware of men also, lest they should perceive your neglect of your parents, and with one consent hold you in dishonour;[7] and so you find yourself in a desert devoid of friends. For if once the notion be entertained that here is a man ungrateful to his parents, no one will believe that any kindness shown


The Memorabilia
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lair of the White Worm by Bram Stoker:

gliding motion. She was already among the snakes when he called out to warn her. But there seemed to be no need of warning. The snakes had turned and were wriggling back to the mound as quickly as they could. He laughed to himself behind his teeth as he whispered, "No need to fear there. They seem much more afraid of her than she of them." All the same he began to beat on the ground with a stick which was lying close to him, with the instinct of one used to such vermin. In an instant he was alone beside the mound with Lady Arabella, who appeared quite unconcerned at the incident. Then he took a long look at her, and her dress alone was sufficient to attract attention. She was clad in some kind of soft white stuff,


Lair of the White Worm
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secret Sharer by Joseph Conrad:

in strange, quavering tones.

Was she close enough? Already she was, I won't say in the shadow of the land, but in the very blackness of it, already swallowed up as it were, gone too close to be recalled, gone from me altogether.

"Give the mate a call," I said to the young man who stood at my elbow as still as death. "And turn all hands up."

My tone had a borrowed loudness reverberated from the height of the land. Several voices cried out together: "We are all on deck, sir."

Then stillness again, with the great shadow gliding closer, towering higher, without a light, without a sound. Such a hush had fallen on the ship that she might have been a bark


The Secret Sharer