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Today's Stichomancy for Kylie Minogue

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Glimpses of the Moon by Edith Wharton:

Look here, Susy ..." he caught her by the arm as the taxi drew up at her hotel .... "Tell her I understand, will you? I'd rather like her to know that .... "

"I'll tell her, Nelson," she promised; and climbed the stairs alone to her dreary room.

Susy's one fear was that Strefford, when he returned the next day, should treat their talk of the previous evening as a fit of "nerves" to be jested away. He might, indeed, resent her behaviour too deeply to seek to see her at once; but his easygoing modern attitude toward conduct and convictions made that improbable. She had an idea that what he had most minded

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mansion by Henry van Dyke:

plate and portraits, bronzes by Barye and marbles by Rodin, Persian carpets

and Chinese porcelains, had been introduced to the mansion. It contained a Louis Quinze reception-room, an Empire drawing-room, a Jacobean dining-room, and various apartments dimly reminiscent of the styles of furniture affected by deceased monarchs. That the hallways were too short for the historic perspective did not make much difference.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mansion by Henry van Dyke:

carved out of some firm, imperishable stuff.

"A fighting chance," he said, "may do for a speculation, but it is not a good investment. You owe something to young Rollins. Your grateful feeling does you credit. But don't overwork it. Send him three or four hundred, if you like. You'll never hear from it again, except in the letter of thanks. But for Heaven's sake don't be sentimental. Religion is not a matter of sentiment; it's a matter of principle."

The face of the younger man changed now. But instead of becoming

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Allan Quatermain by H. Rider Haggard:

bringing with him a most curious sword. It was long, and all the blade, which was very thick and heavy, was to within a quarter of an inch of the cutting edge worked into an ornamental pattern exactly as we work soft wood with a fret-saw, the steel, however, being invariably pierced in such a way as not to interfere with the strength of the sword. This in itself was sufficiently curious, but what was still more so was that all the edges of the hollow spaces cut through the substance of the blade were most beautifully inlaid with gold, which was in some way that I cannot understand welded on to the steel {Endnote 5}.

'There,' said Mr Mackenzie, 'did you ever see a sword like that?'


Allan Quatermain