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Today's Stichomancy for Kylie Minogue

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Son of Tarzan by Edgar Rice Burroughs:

run brought her to the side of the kid. Numa saw her. He lashed his tail against his tawny sides. He roared terribly; but, for an instant, he remained where he stood--surprised into inaction, doubtless, by the strange apparition that had sprung so unexpectedly from the jungle.

Other eyes were upon Meriem, too--eyes in which were no less surprise than that reflected in the yellow-green orbs of the carnivore. A white man, hiding in a thorn boma, half rose as the young girl leaped into the clearing and dashed toward the kid. He saw Numa hesitate. He raised his rifle and covered the beast's breast. The girl reached the kid's side. Her knife flashed, and the little prisoner was free.


The Son of Tarzan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Odyssey by Homer:

So these were flocking round Achilles, and the spirit of Agamemnon, son of Atreus, drew nigh sorrowful; and about him were gathered all the other shades, as many as perished with him in the house of Aegisthus, and met their doom. Now the soul of the son of Peleus spake to him first, saying:

'Son of Atreus, verily we deemed that thou above all other heroes wast evermore dear to Zeus, whose joy is in the thunder, seeing that thou wast lord over warriors, many and mighty men, in the land of the Trojans where we Achaeans suffered affliction. But lo, thee too was deadly doom to


The Odyssey
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glasses by Henry James:

stood before her whose faces we couldn't see but who even as observed from the rear were visibly absorbed in the charming figure-piece submitted to them. I was freshly struck with the fact that this meagre and defective little person, with the cock of her hat and the flutter of her crape, with her eternal idleness, her eternal happiness, her absence of moods and mysteries and the pretty presentation of her feet, which especially now in the supported slope of her posture occupied with their imperceptibility so much of the foreground--I was reminded anew, I say, how our young lady dazzled by some art that the enumeration of her merits didn't explain and that the mention of her lapses didn't affect.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maitre Cornelius by Honore de Balzac:

full speed.

"What is it?" asked the provost.

"Nothing that concerns you," replied the officer, disdainfully. "The king has sent me to fetch the Comte and Comtesse de Saint-Vallier, whom he invites to dinner."

The grand provost had scarcely reached the embankment leading to Plessis, when the count and his wife, both mounted, she on her white mule, he on his horse, and followed by two pages, joined the archers, in order to enter Plessis-lez-Tours in company. All were moving slowly. Georges was on foot, between two guards on horseback, one of whom held him still by the leathern thong. Tristan, the count, and his