| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Episode Under the Terror by Honore de Balzac: mingling of sacred and profane.
The stranger came forward reverently to kneel between the two nuns.
But the priest had tied crape round the chalice of the crucifix,
having no other way of marking the mass as a funeral service; it was
as if God himself had been in mourning. The man suddenly noticed this,
and the sight appeared to call up some overwhelming memory, for great
drops of sweat stood out on his broad forehead.
Then the four silent actors in the scene looked mysteriously at one
another; and their souls in emulation seemed to stir and communicate
the thoughts within them until all were melted into one feeling of awe
and pity. It seemed to them that the royal martyr whose remains had
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.: stool I saw, dimly at first, then with an awful distinctness--a
ghost--an EIDOLON--a form--A HEADLESS MAN seated with his head in
his lap, which wore an expression of piteous surprise.
At this minute, Mr. Gale entered from the front shop to show a
customer some Delft plates; and he did not see--but WE DID--the
figure rise up from the porcelain stool, shake its head, which it
held in its hand, and which kept its eyes fixed sadly on us, and
disappear behind the guillotine.
"Come to the 'Gray's-Inn Coffee-House,'" Pinto said, "and I will
tell you how the notch came to the ax." And we walked down Holborn
at about thirty-seven minutes past six o'clock.
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