| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Wuthering Heights by Emily Bronte: ON the fifth morning, or rather afternoon, a different step
approached - lighter and shorter; and, this time, the person
entered the room. It was Zillah; donned in her scarlet shawl, with
a black silk bonnet on her head, and a willow-basket swung to her
arm.
'Eh, dear! Mrs. Dean!' she exclaimed. 'Well! there is a talk
about you at Gimmerton. I never thought but you were sunk in the
Blackhorse marsh, and missy with you, till master told me you'd
been found, and he'd lodged you here! What! and you must have got
on an island, sure? And how long were you in the hole? Did master
save you, Mrs. Dean? But you're not so thin - you've not been so
 Wuthering Heights |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Unseen World and Other Essays by John Fiske: way that from the undulation of the ether a sufficiently powerful
intelligence might infer the character of the generating movement
in the visible world. It is quite another thing to say that the
ether is organized in such a complex and delicate way as to be
like a negative image or counterpart of the world of sensible
matter. The latter view is no doubt ingenious, but it is
gratuitous. It is sustained not by scientific analogy, but by the
desire to find some assignable use for the energy which is
constantly escaping from visible matter into invisible ether. The
moment we ask how do we know that this energy is not really
wasted, or that it is not put to some use wholly undiscoverable
 The Unseen World and Other Essays |