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Today's Stichomancy for Laurence Fishburne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Recruit by Honore de Balzac:

made his wife write her a letter, urging her to receive her visitors as usual that evening. Bolder still, the old merchant went himself in the morning to Madame de Dey's house, and, strong in the service he wanted to render her, he insisted on seeing her, and was amazed to find her in the garden gathering flowers for her vases.

"She must be protecting a lover," thought the old man, filled with sudden pity for the charming woman.

The singular expression on the countess's face strengthened this conjecture. Much moved at the thought of such devotion, for all men are flattered by the sacrifices a woman makes for one of them, the old man told the countess of the rumors that were floating about the town,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Maitre Cornelius by Honore de Balzac:

torconnier went out but little; but the lords of the court paid him frequent visits. He lent them money rather liberally, though capricious in his manner of doing so. On certain days he refused to give them a penny; the next day he would offer them large sums,--always at high interest and on good security. A good Catholic, he went regularly to the services, always attending the earliest mass at Saint-Martin; and as he had purchased there, as elsewhere, a chapel in perpetuity, he was separated even in church from other Christians. A popular proverb of that day, long remembered in Tours, was the saying: "You passed in front of the Fleming; ill-luck will happen to you." Passing in front of the Fleming explained all sudden pains and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

out their vision with obscure special senses operating through the prismatic cilia on their heads - senses which rendered all the Old Ones partly independent of light in emergencies. Their forms of sculpture and writing had changed curiously during the descent, embodying certain apparently chemical coating processes - probably to secure phosphorescence - which the basreliefs could not make clear to us. The beings moved in the sea partly by swimming - using the lateral crinoid arms - and partly by wriggling with the lower tier of tentacles containing the pseudofeet. Occasionally they accomplished long swoops with the auxiliary use of two or more sets of their fanlike folding wings. On land they locally


At the Mountains of Madness
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Common Sense by Thomas Paine:

time that is past? Can ye give to prostitution its former innocence? Neither can ye reconcile Britain and America. The last cord now is broken, the people of England are presenting addresses against us. There are injuries which nature cannot forgive; she would cease to be nature if she did. As well can the lover forgive the ravisher of his mistress, as the continent forgive the murders of Britain. The Almighty hath implanted in us these unextinguishable feelings for good and wise purposes. They are the guardians of his image in our hearts. They distinguish us from the herd of common animals. The social compact would dissolve, and justice be extirpated the earth, or have only a casual existence were we callous to the touches of affection. The robber, and the murderer,


Common Sense