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Today's Stichomancy for Laurence Fishburne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Prince by Nicolo Machiavelli:

confusion. The cavalry and infantry became inextricably mixed: the captains were unable to get their men either backward or forward, owing to the narrowness of the pass, and amid all this tumult no one knew what ought to be done or what could be done. In a short time the cavalry who were engaged with the enemy's infantry were scattered or killed without having made any effective defence because of their unfortunate position, although in sheer desperation they had offered a stout resistance. Retreat had been impossible, with the mountains on both flanks, whilst in front were their enemies, and in the rear their friends. When Castruccio saw that his men were unable to strike a decisive blow at the enemy and put them to flight, he sent one


The Prince
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Hermione's Little Group of Serious Thinkers by Don Marquis:

yes, really!and he waited and waited for enough moonlight to do it, and caught a terrible cold in his head, poor dear Fothy.

It goes like this:

Poppies, poppies, silver poppies in the moonlight, poppies! Silver poppies, Silver poppies in the moonlight, Youth! Poppies poppies, crimson poppies in the sunset, Love!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Picture of Dorian Gray by Oscar Wilde:

I call either the lethargy of custom or their lack of imagination. Faithfulness is to the emotional life what consistency is to the life of the intellect--simply a confession of failure. Faithfulness! I must analyse it some day. The passion for property is in it. There are many things that we would throw away if we were not afraid that others might pick them up. But I don't want to interrupt you. Go on with your story."

"Well, I found myself seated in a horrid little private box, with a vulgar drop-scene staring me in the face. I looked out from behind the curtain and surveyed the house. It was a tawdry affair, all Cupids and cornucopias, like a


The Picture of Dorian Gray
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from End of the Tether by Joseph Conrad:

". . . With the boilers worn out and the survey hang- ing over my head, Captain Whalley-- Captain Whalley, I say, what do you do with your money? You must have stacks of money somewhere--a man like you must. It stands to reason. I am not a fool, you know, Captain Whalley--partner."

Again he paused, as though he had done for good. He passed his tongue over his lips, gave a backward glance at the Serang conning the ship with quiet whis- pers and slight signs of the hand. The wash of the propeller sent a swift ripple, crested with dark froth,


End of the Tether