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Today's Stichomancy for Laurence Olivier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

looked up to see five red-robed creatures dropping slowly in ever-lessening spirals toward their little amphitheater. With no attempt at concealment they came, sure of their ability to overwhelm these two fugitives, and with the fullest measure of self-confidence they landed in the clearing but a few yards from the man and the girl.

Following a plan already discussed Bradley and the girl retreated slowly into the woods. The Wieroos advanced, calling upon them to give themselves up; but the quarry made no reply. Farther and farther into the little wood Bradley led the hunters, permitting them to approach ever closer; then he circled back again toward


Out of Time's Abyss
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Poems of William Blake by William Blake:

The Clod of Clay heard the Worms voice & rais'd her pitying head: She bowd over the weeping infant, and her life exhald In milky fondness, then on Thel she fix'd her humble eyes

O beauty of the vales of Har, we live not for ourselves, Thou seest me the meanest thing, and so I am indeed: My bosom of itself is cold, and of itself is dark,

But he that loves the lowly, pours his oil upon my head And kisses me, and binds his nuptial bands around my breast. And says; Thou mother of my children, I have loved thee And I have given thee a crown that none can take away. But how this is sweet maid, I know not, and I cannot know


Poems of William Blake
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moran of the Lady Letty by Frank Norris:

bark rolled down caught the mainyard-brace hanging in a bight over the rail and swung himself to the deck. "Look sharp!" he called, as Wilbur followed. "It won't do for you to fall among them shark, son. Just look at the hundreds of 'em. There's a stiff on board, sure."

Wilbur steadied himself on the swaying broken deck, choking against the reek of coal-gas that hissed upward on every hand. The heat was almost like a furnace. Everything metal was intolerable to the touch.

"She's abandoned, sure," muttered the Captain. "Look," and he pointed to the empty chocks on the house and the severed lashings.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Montezuma's Daughter by H. Rider Haggard:

maidens danced before me, kissing my hands and feet, till at length I was attended by a mob a thousand strong. And I also danced and shouted like any village fool, for I think that a kind of mad humour, or perhaps it was the drunkenness of worship, entered into me in those days. Also I sought to forget my griefs, I desired to forget that I was doomed to the sacrifice, and that every day brought me nearer to the red knife of the priest.

I desired to forget, but alas! I could not. The fumes of the mescal and the pulque that I had drunk at feasts would pass from my brain, the perfume of flowers, the sights of beauty and the adoration of the people would cease to move me, and I could only


Montezuma's Daughter