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Today's Stichomancy for Laurence Olivier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Barnaby Rudge by Charles Dickens:

out, fresh people were sure to come in soon afterwards and sit down in their places, as though the others had relieved them on some watch or duty; which it was pretty clear they did, for these changes took place by the clock, at intervals of half an hour. These persons whispered very much among themselves, and kept aloof, and often looked round, as jealous of their speech being overheard; some two or three among them entered in books what seemed to be reports from the others; when they were not thus employed) one of them would turn to the newspapers which were strewn upon the table, and from the St James's Chronicle, the Herald, Chronicle, or Public Advertiser, would read to the rest in a low voice some


Barnaby Rudge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

to catch the contagion of a panic terror. For the rest of the day, the more timid went whole streets about, for the sake of avoiding the Seven Gables; while the bolder sig nalized their hardihood by challenging their comrades to race past the mansion at full speed.

It could not have been more than half an hour after the disappearance of the Italian boy, with his unseasonable melodies, when a cab drove down the street. It stopped beneath the Pyncheon Elm; the cabman took a trunk, a canvas bag, and a bandbox, from the top of his vehicle, and deposited them on the doorstep of the old house; a straw bonnet, and then the pretty figure of a young girl, came into view from the interior of the cab. It was Phoebe! Though


House of Seven Gables
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Inland Voyage by Robert Louis Stevenson:

minutes you will not be surprised to learn that I had tied my sheet.

I own I was a little struck by this circumstance myself; of course, in company with the rest of my fellow-men, I had always tied the sheet in a sailing-boat; but in so little and crank a concern as a canoe, and with these charging squalls, I was not prepared to find myself follow the same principle; and it inspired me with some contemptuous views of our regard for life. It is certainly easier to smoke with the sheet fastened; but I had never before weighed a comfortable pipe of tobacco against an obvious risk, and gravely elected for the comfortable pipe. It is a commonplace, that we

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Call of the Canyon by Zane Grey:

and comforting heat.

There were plans to perfect; innumerable things to remember; a car and accessories, horses, saddles, outfits to buy. Carley knew she should sit down at her table and write and figure, but she could not do it then.

For a long time she sat over the little stove, toasting her knees and hands, adding some chips now and then to the red coals. And her mind seemed a kaleidoscope of changing visions, thoughts, feelings. At last she undressed and blew out the lamp and went to bed.

Instantly a thick blackness seemed to enfold her and silence as of a dead world settled down upon her. Drowsy as she was, she could not close her eyes nor refrain from listening. Darkness and silence were tangible things.


The Call of the Canyon