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Today's Stichomancy for Lee Harvey Oswald

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

Beyond one of the sentinels nobody was in sight; the railroad ran straight away into a forest for a hundred yards, then, curving, was lost to view. Doubtless there was an outpost farther along. The other bank of the stream was open ground -- a gentle slope topped with a stockade of vertical tree trunks, loopholed for rifles, with a single embrasure through which protruded the muzzle of a brass cannon commanding the bridge. Midway up the slope between the bridge and fort were the spectators -- a single company of infantry in line, at "parade rest," the butts of their rifles on the ground, the barrels inclining slightly backward


An Occurrence at Owl Creek Bridge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herland by Charlotte Gilman:

"And you have made wonderful progress in those years--in other things?"

"We certainly have. But religion is different. You see, our religions come from behind us, and are initiated by some great teacher who is dead. He is supposed to have known the whole thing and taught it, finally. All we have to do is believe--and obey."

"Who was the great Hebrew teacher?"

"Oh--there it was different. The Hebrew religion is an accumulation of extremely ancient traditions, some far older than their people, and grew by accretion down the ages. We consider it inspired--`the Word of God.'"

"How do you know it is?"


Herland
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Soul of Man by Oscar Wilde:

rising in a sort of ecstasy from death to life. Even when they drew him crucified they drew him as a beautiful God on whom evil men had inflicted suffering. But he did not preoccupy them much. What delighted them was to paint the men and women whom they admired, and to show the loveliness of this lovely earth. They painted many religious pictures - in fact, they painted far too many, and the monotony of type and motive is wearisome, and was bad for art. It was the result of the authority of the public in art- matters, and is to be deplored. But their soul was not in the subject. Raphael was a great artist when he painted his portrait of the Pope. When he painted his Madonnas and infant Christs, he

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from One Basket by Edna Ferber:

that had resisted her all these years. Something that had made him master and superior in spite of everything.

In those days of illness, as he sat by the stove, the memory of Emma Byers came to him often. She had left that district twenty-eight years ago, and had married, and lived in Chicago somewhere, he had heard, and was prosperous. He wasted no time in idle regrets. He had been a fool, and he paid the price of fools. Bella, slamming noisily about the room, never suspected the presence in the untidy place of a third person--a sturdy girl of twenty-two or -three, very wholesome to look at, and with honest, intelligent eyes and a serene brow.


One Basket