Today's Stichomancy for Lenny Kravitz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ten Years Later by Alexandre Dumas:

thousand livres. He does not pay me and I sell the sugars for thirteen hundred livres. He learns this and claims a hundred crowns. Ma foi! I refused, pretending that I could not sell them for more than nine hundred livres. He accused me of usury. I begged him to repeat that word to me behind the boulevards. He was an old guard, and he came: and I passed your sword through his left thigh."

"Tu dieu! what a pretty sort of banker you make!" said D'Artagnan.

"For above thirteen per cent. I fight," replied Planchet; "that is my character."

Ten Years Later

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Buttered Side Down by Edna Ferber:

so exquisite in its ivory and green perfection as to be fit for a bride's bouquet; there are apples so flawless that if the garden of Eden grew any as perfect it is small wonder that Eve fell for them.

There are fresh mushrooms, and jumbo cocoanuts, and green almonds; costly things in beds of cotton nestle next to strange and marvelous things in tissue, wrappings. Oh, that window is no place for the hungry, the dissatisfied, or the man out of a job. When the air is filled with snow there is that in the sight of muskmelons which incites crime.

Queerly enough, the gazers before that window foot up the same, year in, and year out, something after this fashion:

Buttered Side Down

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In the South Seas by Robert Louis Stevenson:

always an eye upon the past. He showed me where the old public place had stood, still to be traced by random piles of stone; told me how great and fine it was, and surrounded on all sides by populous houses, whence, at the beating of the drums, the folk crowded to make holiday. The drum-beat of the Polynesian has a strange and gloomy stimulation for the nerves of all. White persons feel it - at these precipitate sounds their hearts beat faster; and, according to old residents, its effect on the natives was extreme. Bishop Dordillon might entreat; Temoana himself command and threaten; at the note of the drum wild instincts triumphed. And now it might beat upon these ruins, and who should

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twilight Land by Howard Pyle:

all this sorrow and lamentation?"

Instantly the beautiful slave dropped the golden basin upon the stone floor, and began shrieking and tearing her clothes. "He has asked the question!" she screamed--"he has asked the question!"

The young man began to grow frightened; he arose from his couch, and with uneven steps went out into the anteroom. There he found his chamberlain waiting for him with a crowd of attendants and courtiers. "Tell me," said Aben Hassen the Fool, "why are you all so sorrowful?"

Instantly they who stood waiting began crying and tearing their clothes and beating their hands. As for the chamberlain--he was