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Today's Stichomancy for Leo Tolstoy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mistress Wilding by Rafael Sabatini:

with so much assurance that it was plain Albemarle hesitated.

"Beware of Mr. Trenchard, Your Grace," cried Ruth. "He is Mr. Wilding's friend, and if there is a plot he is sure to be in it."

Albemarle, startled, looked at Trenchard. Had the accusation come from either of the men the Duke would have silenced him and abused him; but coming from a woman, and so comely a woman, it seemed to His Grace worthy at least of consideration. But nimble Mr. Trenchard was easily master of the situation.

"Which, of course," he answered, with fine sarcasm, "is the reason why I have been at work for the past four-and-twenty hours to lay proofs of this plot before Your Grace."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Theaetetus by Plato:

in nations, as it is renovated by great movements, which go beyond the limits of nations and affect human society on a scale still greater, as it is created or renewed by great minds, who, looking down from above, have a wider and more comprehensive vision. This is an ambitious study, of which most of us rather 'entertain conjecture' than arrive at any detailed or accurate knowledge. Later arises the reflection how these great ideas or movements of the world have been appropriated by the multitude and found a way to the minds of individuals. The real Psychology is that which shows how the increasing knowledge of nature and the increasing experience of life have always been slowly transforming the mind, how religions too have been modified in the course of ages 'that God may be all and in all.' E

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Several Works by Edgar Allan Poe:

cessation of all things as before. But now there were twelve strokes to be sounded by the bell of the clock; and thus it happened, perhaps, that more of thought crept, with more of time, into the meditations of the thoughtful among those who revelled. And thus too, it happened, perhaps, that before the last echoes of the last chime had utterly sunk into silence, there were many individuals in the crowd who had found leisure to become aware of the presence of a masked figure which had arrested the attention of no single individual before. And the rumour of this new presence having spread itself whisperingly around, there arose at length from the whole company a buzz, or murmur, expressive of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pivot of Civilization by Margaret Sanger:

contradictory light,--in which it is revealed either as the instrument by which men and women ``cooperate with the Creator'' to bring children into the world, on the one hand; and on the other, as the sinful instrument of self-gratification, lust and sensuality, there is bound to be an endless conflict in human conduct, producing ever increasing misery, pain and injustice. In crystallizing and codifying this contradiction, the Church not only solidified its own power over men but reduced women to the most abject and prostrate slavery. It was essentially a morality that would not ``work.'' The sex instinct in the human race is too strong to be bound by the dictates of any church. The church's failure, its century after century of failure, is