The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Two Brothers by Honore de Balzac: Mouilleron himself escorted him back to the Hochons'. Joseph was
greeted with such overflowing tenderness by his mother that the poor
misunderstood son gave thanks to ill-luck--like the husband to the
thief, in La Fontaine's fable--for a mishap which brought him such
proofs of affection.
"Oh," said Monsieur Mouilleron, with a self-satisfied air, "I knew at
once by the way you looked at the angry crowd that you were innocent;
but whatever I may have thought, any one who knows Issoudun must also
know that the only way to protect you was to make the arrest as we
did. Ah! you carried your head high."
"I was thinking of something else," said the artist simply. "An
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from La Grande Breteche by Honore de Balzac: and deserted house is a vast enigma of which the answer is known to
none.
"It was formerly a little domain, held in fief, and is known as La
Grande Breteche. During my stay at Vendome, where Despleins had left
me in charge of a rich patient, the sight of this strange dwelling
became one of my keenest pleasures. Was it not far better than a ruin?
Certain memories of indisputable authenticity attach themselves to a
ruin; but this house, still standing, though being slowly destroyed by
an avenging hand, contained a secret, an unrevealed thought. At the
very least, it testified to a caprice. More than once in the evening I
boarded the hedge, run wild, which surrounded the enclosure. I braved
La Grande Breteche |
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great God Pan by Arthur Machen: their house,'and so on, but there was nothing tangible. The
authorities were morally certain the man met his death in some
way or another in the house and was thrown out by the kitchen
door, but they couldn't prove it, and the absence of any
indications of violence or poisoning left them helpless. An odd
case, wasn't it? But curiously enough, there's something more
that I haven't told you. I happened to know one of the doctors
who was consulted as to the cause of death, and some time after
the inquest I met him, and asked him about it. 'Do you really
mean to tell me,' I said, 'that you were baffled by the case,
that you actually don't know what the man died of?' 'Pardon me,'
The Great God Pan |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Protagoras by Plato: But I said that to choose an umpire of discourse would be unseemly; for if
the person chosen was inferior, then the inferior or worse ought not to
preside over the better; or if he was equal, neither would that be well;
for he who is our equal will do as we do, and what will be the use of
choosing him? And if you say, 'Let us have a better then,'--to that I
answer that you cannot have any one who is wiser than Protagoras. And if
you choose another who is not really better, and whom you only say is
better, to put another over him as though he were an inferior person would
be an unworthy reflection on him; not that, as far as I am concerned, any
reflection is of much consequence to me. Let me tell you then what I will
do in order that the conversation and discussion may go on as you desire.
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