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Today's Stichomancy for Leo Tolstoy

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Foolish Virgin by Thomas Dixon:

II. TEMPTATION III. FATE IV. DOUBTS AND FEARS V. WINGS OF STEEL VI. BESIDE THE SEA VII. A VAIN APPEAL VIII. JIM'S TRIAL IX. ELLA'S SECRET X. THE WEDDING XI. "UNTIL DEATH" XII. THE LOTOS-EATERS

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Old Indian Legends by Zitkala-Sa:

vain.

"Old Iktomi wants to fly! Ah! We cannot wait for him!" sang the birds as they flew away.

Muttering unhappy vows to himself, Iktomi had not gone far when he chanced upon a bunch of long slender arrows. One by one they rose in the air and shot a straight line over the prairie. Others shot up into the blue sky and were soon lost to sight. Only one was left. He was making ready for his flight when Iktomi rushed upon him and wailed, "I want to be an arrow! Make me into an arrow! I want to pierce the blue Blue overhead. I want to strike yonder summer sun in its center. Make me into an arrow!"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The $30,000 Bequest and Other Stories by Mark Twain:

shed her silent tears; they mingle with the waves, and take a last farewell of their agitated home, to seek a peaceful dwelling among the rolling floods; yet there is a voice rushing from her breast, that proclaims VICTORY along the whole line and battlement of her affections. That voice is the voice of patience and resignation; that voice is one that bears everything calmly and dispassionately, amid the most distressing scenes; when the fates are arrayed against her peace, and apparently plotting for her destruction, still she is resigned.

Woman's affections are deep, consequently her troubles may be made to sink deep. Although you may not be able to mark the traces of her

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Domestic Peace by Honore de Balzac:

wealthy families for introducing their heiresses to Napoleon's Praetorian Guard, in the foolish hope of exchanging their splendid fortunes for uncertain favors. The women who believed themselves strong enough in their beauty alone came to test their power. There, as elsewhere, amusement was but a blind. Calm and smiling faces and placid brows covered sordid interests, expressions of friendship were a lie, and more than one man was less distrustful of his enemies than of his friends.

These remarks are necessary to explain the incidents of the little imbroglio which is the subject of this study, and the picture, softened as it is, of the tone then dominant in Paris drawing-rooms.