| The first excerpt represents the past or something you must release, and is drawn from The Children of the Night by Edwin Arlington Robinson: To think where once my fancy strayed,
I muse on what the years may be
Whose coming tales are all unsaid,
Till tongs and shovel, snugly laid
Within their shadowed niches, grow
By grim degrees to pick and spade,
As one by one the phantoms go.
But then, what though the mystic Three
Around me ply their merry trade? --
And Charon soon may carry me
Across the gloomy Stygian glade? --
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Troll Garden and Selected Stories by Willa Cather: him now a little thing to lose his soul for this woman, but that
she should utterly forget this night into which he threw all his
life and all his eternity, that was a bitter thought.
"No, Eric, I will not forget. You have all been too kind to
me for that. And you won't be sorry you danced this one night,
will you?"
"I never be sorry. I have not been so happy before. I not be
so happy again, ever. You will be happy many nights yet, I only
this one. I will dream sometimes, maybe."
The mighty resignation of his tone alarmed and touched her.
It was as when some great animal composes itself for death, as when
 The Troll Garden and Selected Stories |
The third excerpt represents the future or something you must embrace, and is drawn from The Duchesse de Langeais by Honore de Balzac: "Then may I stay?"
"Oh, I should be very sorry to allow you to go. I told myself
this morning that it was impossible that I should have made the
slightest impression on your mind, and that in all probability
you took my request for one of the commonplaces of which
Parisians are lavish on every occasion. And I forgave your
ingratitude in advance. An explorer from the deserts is not
supposed to know how exclusive we are in our friendships in the
Faubourg."
The gracious, half-murmured words dropped one by one, as if they
had been weighted with the gladness that apparently brought them
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