Today's Stichomancy for Leon Trotsky

Mayor is looked up to by the inhabitants of Little Britain as the greatest potentate upon earth; his gilt coach with six horses as the summit of human splendor; and his procession, with all the Sheriffs and Aldermen in his train, as the grandest of earthly pageants. How they exult in the idea that the King himself dare not enter the city without first knocking at the gate of Temple Bar, and asking permission of the Lord Mayor: for if he did, heaven and earth! there is no knowing what might be the consequence. The man in armor, who rides before the Lord mayor, and is the city champion, has orders to cut down everybody that offends against the dignity of the city; and then

at all; but he had the sense to subordinate himself to his sister, and he did so from a consideration that was outside of the business. "She is my elder," he said. Perhaps an existence like his, always solitary, reduced to the satisfaction of mere needs, deprived of money and all pleasures in youth, may explain to physiologists and thinkers the clownish expression of the face, the feebleness of mind, the vacant silliness of the man. His sister had steadily prevented him from marrying, afraid perhaps to lose her power over him, and seeing only a source of expense and injury in some woman who would certainly be younger and undoubtedly less ugly than herself.

Silliness has two ways of comporting itself; it talks, or is silent.

in these glorious deeps of fire that quickened his imagination; he always found images and promises in the western sky. He thought of a good many things--of roaming about the world with Gertrude Wentworth; he seemed to see their possible adventures, in a glowing frieze, between the cloud-bars; then of what Eugenia had just been telling him. He wished very much that Madame M; auunster would make a comfortable and honorable marriage. Presently, as the sunset expanded and deepened, the fancy took him of making a note of so magnificent a piece of coloring. He returned to his studio and fetched out a small panel, with his palette and brushes, and, placing the panel

vehement, passionate man.

"Here, everything is appalling. Will the crime get possession of the criminal? Will the executioner seize his victim? Will sorrow consume the artist's genius? Will the disease kill the patient? or, will the guardian angel save the Christian?

"Then comes the /finale/, the gambling scene in which Bertram tortures his son by rousing him to tremendous emotions. Robert, beggared, frenzied, searching everything, eager for blood, fire, and sword, is his own son; in this mood he is exactly like his father. What hideous glee we hear in Bertram's words: '/Je ris de tes coups/!' And how perfectly the Venetian /barcarole/ comes in here. Through what

Gambara