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Today's Stichomancy for Leon Trotsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Three Taverns by Edwin Arlington Robinson:

In these last days. Rome, if I know the name, Will have anon a crown of thorns and fire Made ready for the wreathing of new masters, Of whom we are appointed, you and I, -- And you are still to be when I am gone, Should I go presently. Let the word fall, Meanwhile, upon the dragon-ridden field Of circumstance, either to live or die; Concerning which there is a parable, Made easy for the comfort and attention Of those who preach, fearing they preach in vain.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Peter Pan by James M. Barrie:

natural to Wendy that you could not dismiss it by saying she had been dreaming.

"My child," the mother cried, "why did you not tell me of this before?"

"I forgot," said Wendy lightly. She was in a hurry to get her breakfast.

Oh, surely she must have been dreaming.

But, on the other hand, there were the leaves. Mrs. Darling examined them very carefully; they were skeleton leaves, but she was sure they did not come from any tree that grew in England. She crawled about the floor, peering at it with a candle for


Peter Pan
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from La Grenadiere by Honore de Balzac:

come to the enchanting retreat to give herself up wholly to the joy of living.

The three masters whose presence was allowed at La Grenadiere spoke with something like admiring reverence of the touching picture that they saw there of the close, unclouded intimacy of the life led by this woman and the children.

The two little boys also aroused no small interest. Mothers could not see them without a feeling of envy. Both children were like Mme. Willemsens, who was, in fact, their mother. They had the transparent complexion and bright color, the clear, liquid eyes, the long lashes, the fresh outlines, the dazzling characteristics of childish beauty.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

an even, calm intonation, presaging, and enforcing tranquility in the men -- with what accurately measured interval fell those cruel words:

"Company! . . . Attention! . . . Shoulder arms! . . . Ready! . . . Aim! . . . Fire!"

Fahrquhar dived -- dived as deeply as he could. The water roared in his ears like the voice of Niagara, yet he heard the dull thunder of the volley and, rising again toward the surface, met shining bits of metal, singularly flattened, oscillating slowly downward. Some of them touched him on the face and hands, then fell away, continuing their descent.


An Occurrence at Owl Creek Bridge