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Today's Stichomancy for Leonard Cohen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mrs. Warren's Profession by George Bernard Shaw:

other hand on his father's shoulder].

REV. S. [blustering] Silence, sir, silence: you are profane.

MRS WARREN [laughing heartily] You should keep him in better order, Sam. Good-night. Here: take George his hat and stick with my compliments.

REV. S. [taking them] Good-night. [They shake hands. As he passes Vivie he shakes hands with her also and bids her good- night. Then, in booming command, to Frank] Come along, sir, at once. [He goes out].

MRS WARREN. Byebye, Praddy.

PRAED. Byebye, Kitty.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Cruise of the Jasper B. by Don Marquis:

tremor ran through the Jasper B.; the glasses leaped and rang upon the table. Cleggett, followed by Lady Agatha, darted up the companionway.

As Cleggett reached the deck there was a second shock, and he beheld a flame leap out of the earth itself--a sudden sword of fire thrust into the night from the midst of the sandy plain before him. The light that stabbed and was gone in an instant was about halfway between the Jasper B. and Morris's. A second after, a missile--which Cleggett later learned was a piece of rock the size of a man's head--fell with a splintering crash upon and through the wooden platform beside the Jasper B., not thirty

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Soul of the Far East by Percival Lowell:

pruning-knife as if man's wishes were their own whims. Manikin maples, Tom Thumb trees, a foot high and thirty years old, with all the gnarls and knots and knuckles of their fellows of the forest, grow in his parterres, their native vitality not a whit diminished. And they are not regarded as monstrosities but only as the most natural of artificialities; for they are a part of a horticultural whole. To walk into a Japanese garden is like wandering of a sudden into one of those strange worlds we see reflected in the polished surface of a concave mirror, where all but the observer himself is transformed into a fantastic miniature of the reality. In that quaint fairyland diminutive rivers flow gracefully under tiny trees,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Master and Man by Leo Tolstoy:

the contrary he felt wide awake and animated. Again he began counting his gains and the debts due to him, again he began bragging to himself and feeling pleased with himself and his position, but all this was continually disturbed by a stealthily approaching fear and by the unpleasant regret that he had not remained in Grishkino.

'How different it would be to be lying warm on a bench!'

He turned over several times in his attempts to get into a more comfortable position more sheltered from the wind, he wrapped up his legs closer, shut his eyes, and lay still. But either his legs in their strong felt boots began to ache from being


Master and Man