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Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the past or something you must release, and is drawn from Love Songs by Sara Teasdale:

But we talked of a thousand things together, The past was buried too deep to fear.

I met the other, whose love was given With never a kiss and scarcely a word -- Oh, it was then the terror took me Of words unuttered that breathed and stirred.

Oh, love that lives its life with laughter Or love that lives its life with tears Can die -- but love that is never spoken Goes like a ghost through the winding years. . . .

I went back to the clanging city,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gambara by Honore de Balzac:

the Khalifs. His destiny was stamped on him in his birth, for his father was a heathen and his mother a Jewess. Ah! my dear Count to be a great musician a man must be very learned. Without knowledge he can get no local color and put no ideas into his music. The composer who sings for singing's sake is an artisan, not an artist.

"This magnificent opera is the continuation of the great work I projected. My first opera was called /The Martyrs/, and I intend to write a third on Jerusalem delivered. You perceive the beauty of this trilogy and what a variety of motives it offers,--the Martyrs, Mahomet, the Deliverance of Jerusalem: the God of the West, the God of the East, and the struggle of their worshipers over a tomb. But we


Gambara
The third excerpt represents the future or something you must embrace, and is drawn from The Troll Garden and Selected Stories by Willa Cather:

Torrid summers and freezing winters, labour and drudgery and ignorance, were the portion of their girlhood; a short wooing, a hasty, loveless marriage, unlimited maternity, thankless sons, premature age and ugliness, were the dower of their womanhood. But what matter? Tonight there was hot liquor in the glass and hot blood in the heart; tonight they danced.

Tonight Eric Hermannson had renewed his youth. He was no longer the big, silent Norwegian who had sat at Margaret's feet and looked hopelessly into her eyes. Tonight he was a man, with a man's rights and a man's power. Tonight he was Siegfried indeed. His hair was yellow as the heavy wheat in the ripe of summer, and


The Troll Garden and Selected Stories