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Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Padre Ignacio by Owen Wister:

But Gaston was too much elated with the enjoyment of each new day to comprehend the Padre's soul. The shafts of another's pain might hardly pierce the bright armor of his gaiety. He mistook the priest's entreaty, for anxiety about his own happy spirit.

"Stay here under your care?" he asked. "It would do me no good, Padre. Temptation sticks closer to me than a brother!" and he gave that laugh of his which had disarmed severer judges than his host. "By next week I should have introduced some sin or other into your beautiful Garden of Ignorance here. It will be much safer for your flock if I go and join the other serpents at San Francisco."

Soon after breakfast the Padre had his two mules saddled, and he and his

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rise and Fall of Cesar Birotteau by Honore de Balzac:

won't be the slave of his last fancy? None of us, who think ourselves so virtuous, know how we shall end. A last passion,--eh! it is the most violent of all! Look at Cardot, Camusot, Matifat; they all have their mistresses! If we have been gobbled up to satisfy Roguin's, isn't it our own fault? Why didn't we distrust a notary who meddles with speculations? Every notary, every broker, every trustee who speculates is an object of suspicion. Failure for them is fraudulent bankruptcy; they are sure to go before the criminal courts, and therefore they prefer to run out of the country. I sha'n't commit such a stupid blunder again. Well, well! we are too shaky ourselves in the matter not to let judgment go by default against the men we have dined


Rise and Fall of Cesar Birotteau
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

excitement up the narrow street of the salt-aired, white- clapboarded little town.

II

Mrs. Todd

LATER, THERE WAS only one fault to find with this choice of a summer lodging-place, and that was its complete lack of seclusion. At first the tiny house of Mrs. Almira Todd, which stood with its end to the street, appeared to be retired and sheltered enough from the busy world, behind its bushy bit of a green garden, in which all the blooming things, two or three gay hollyhocks and some London-pride, were pushed back against the gray-shingled wall. It

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

But her fears were more for Tarzan than for Canler. She realized the stern retribution which justice metes to the murderer.

Before she could reach them, however, Clayton had jumped to Tarzan's side and attempted to drag Canler from his grasp.

With a single sweep of one mighty arm the Englishman was hurled across the room, and then Jane laid a firm white hand upon Tarzan's wrist, and looked up into his eyes.

"For my sake," she said.

The grasp upon Canler's throat relaxed.

Tarzan looked down into the beautiful face before him.


Tarzan of the Apes