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Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays & Lectures by Oscar Wilde:

has not been excelled in the literature of our country, and by the revival of the decorative arts he has given to our individualised romantic movement the social idea and the social factor also.

But the revolution accomplished by this clique of young men, with Ruskin's faultless and fervent eloquence to help them, was not one of ideas merely but of execution, not one of conceptions but of creations.

For the great eras in the history of the development of all the arts have been eras not of increased feeling or enthusiasm in feeling for art, but of new technical improvements primarily and specially. The discovery of marble quarries in the purple ravines

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

in going back and forth, and what have you gained? Your sons have reached manhood, and are able now to work for you. You are therefore at liberty to enjoy life and be happy. With the assistance of your children you could reach a high state of prosperity. But now your property instead of increasing is gradually growing less, and why? It is the result of your pride. When it becomes necessary for you and your boys to go to the field to work, your enemy instead summons you to appear at court or before some kind of judicial person. If you do not plow at the proper time and sow at the proper time mother earth will not yield up her products, and you and your children will be left


The Kreutzer Sonata
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Intentions by Oscar Wilde:

Young men have committed suicide because Rolla did so, have died by their own hand because by his own hand Werther died. Think of what we owe to the imitation of Christ, of what we owe to the imitation of Caesar.

CYRIL. The theory is certainly a very curious one, but to make it complete you must show that Nature, no less than Life, is an imitation of Art. Are you prepared to prove that?

VIVIAN. My dear fellow, I am prepared to prove anything.

CYRIL. Nature follows the landscape painter, then, and takes her effects from him?

VIVIAN. Certainly. Where, if not from the Impressionists, do we

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Idylls of the King by Alfred Tennyson:

Came not to us, of us to claim the prize, Ourselves will send it after. Rise and take This diamond, and deliver it, and return, And bring us where he is, and how he fares, And cease not from your quest until ye find.'

So saying, from the carven flower above, To which it made a restless heart, he took, And gave, the diamond: then from where he sat At Arthur's right, with smiling face arose, With smiling face and frowning heart, a Prince In the mid might and flourish of his May,