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Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the past or something you must release, and is drawn from Wuthering Heights by Emily Bronte:

'Because,' he continued, looking at the two young people, who were fixed under his eye - Linton appeared as if he could not venture to stir or raise his head, and Catherine could not move, on his account - 'because that lad yonder seems determined to beat me; and I'd thank his uncle to be quick, and go before him! Hallo! has the whelp been playing that game long? I DID give him some lessons about snivelling. Is he pretty lively with Miss Linton generally?'

'Lively? no - he has shown the greatest distress,' I answered. 'To see him, I should say, that instead of rambling with his sweetheart on the hills, he ought to be in bed, under the hands of a doctor.'

'He shall be, in a day or two,' muttered Heathcliff. 'But first -


Wuthering Heights
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

"I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself-- although I admit she has her faults. The house seems a different place already. She's a real bright little thing."

Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel's expression.

"It's a great responsibility you've taken on yourself," said that lady gloomily, "especially when you've never had any experience with children. You don't know much about her or her real disposition, I suppose, and there's no guessing how a child like that will turn out. But I don't


Anne of Green Gables
The third excerpt represents the future or something you must embrace, and is drawn from Life in the Iron-Mills by Rebecca Davis:

gownds, and God stays all t' time,--where t'man lives that talked to us to-night, Hugh knows,--Hugh could walk there like a king!"

He thought the woman mad, tried to check her, but she went on, fierce in her eager haste.

"If I were t' witch dwarf, if I had t' money, wud hur thank me? Wud hur take me out o' this place wid hur and Janey? I wud not come into the gran' house hur wud build, to vex hur wid t' hunch,--only at night, when t' shadows were dark, stand far off to see hur."

Mad? Yes! Are many of us mad in this way?


Life in the Iron-Mills