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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Master and Man by Leo Tolstoy:

'That's our way!' he said to himself, experiencing a strange and solemn tenderness. He lay like that for a long time, wiping his eyes on the fur of his coat and tucking under his knee the right skirt, which the wind kept turning up.

But he longed so passionately to tell somebody of his joyful condition that he said: 'Nikita!'

'It's comfortable, warm!' came a voice from beneath.

'There, you see, friend, I was going to perish. And you would have been frozen, and I should have . . .'

But again his jaws began to quiver and his eyes to fill with tears, and he could say no more.


Master and Man
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Woodlanders by Thomas Hardy:

the inevitable relapse which sooner or later succeeds a time too radiant for the season, such as they had enjoyed in the late midwinter at Hintock. To people at home there these changeful tricks had their interests; the strange mistakes that some of the more sanguine trees had made in budding before their month, to be incontinently glued up by frozen thawings now; the similar sanguine errors of impulsive birds in framing nests that were now swamped by snow-water, and other such incidents, prevented any sense of wearisomeness in the minds of the natives. But these were features of a world not familiar to Fitzpiers, and the inner visions to which he had almost exclusively attended having


The Woodlanders
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ferragus by Honore de Balzac:

the streets like a drunken man, and presently found himself in his own room without knowing how he came there. He flung himself into an arm- chair, put his head in his hands and his feet on the andirons, drying his boots until he burned them. It was an awful moment,--one of those moments in human life when the character is moulded, and the future conduct of the best of men depends on the good or evil fortune of his first action. Providence or fatality?--choose which you will.

This young man belonged to a good family, whose nobility was not very ancient; but there are so few really old families in these days, that all men of rank are ancient without dispute. His grandfather had bought the office of counsellor to the Parliament of Paris, where he


Ferragus
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Sportsman by Xenophon:

{ekkunousi}, are skirters; al. {ekkinousi}, Sturz, quit the scent.

[31] Al. "unceasingly tearing along, around, and about it."

The majority of these defects are due to natural disposition, though some must be assigned no doubt to want of scientific training. In either case such hounds are useless, and may well deter the keenest sportsman from the hunting field.[32]

[32] Or, "Naturally, dogs like these damp the sportsman's ardour, and indeed are enough to sicken him altogether with the chase."

The characters, bodily and other, exhibited by the finer specimens of the same breed,[33] I will now set forth.

[33] Or, "The features, points, qualities, whether physical or other,