Today's Stichomancy for Lewis Carroll

that pieces refused by all theatrical managers obtain a prodigious success when by a stroke of chance they are put on the stage. The recent success of Francois Coppee's play "Pour la Couronne" is well known, and yet, in spite of the name of its author, it was refused during ten years by the managers of the principal Parisian theatres.

"Charley's Aunt," refused at every theatre, and finally staged at the expense of a stockbroker, has had two hundred representations in France, and more than a thousand in London. Without the explanation given above of the impossibility for theatrical managers to mentally substitute themselves for a crowd, such

Pedro Gutierrez and with him and nine men quitted La Navidad. Beltran the cook it was who heard and procured a great smoking torch, and sent out against them a voice like a bull of Bashan's. Arana sprang up, and the rest of us who slept. They were eleven men, armed and alert. There were shouts, blows, a clutching and a throwing off, a detaining and repelling. In the east showed long ghost fingers, the rain held away. They were at the gate when we ran upon them; they burst it open and went forth, leaving one of their own number dead, and two of them who stayed with Arana desperately hurt. We followed

body in a futile effort to tear it from her screaming balu.

Tarzan knew all too well how deep-rooted was Teeka's terror of Histah. He scarce could believe the testimony of his own eyes then, when they told him that she had voluntarily rushed into that deadly embrace. Nor was Teeka's innate dread of the monster much greater than Tarzan's own. Never, willingly, had he touched a snake. Why, he could not say, for he would admit fear of nothing; nor was it fear, but rather an inherent repulsion bequeathed to him by many generations of civilized ancestors, and back of them, perhaps, by countless myriads of such as Teeka, in the breasts

The Jungle Tales of Tarzan