| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Life in the Iron-Mills by Rebecca Davis: men: "Molly Wolfe" was his sobriquet. He was never seen in the
cockpit, did not own a terrier, drank but seldom; when he did,
desperately. He fought sometimes, but was always thrashed,
pommelled to a jelly. The man was game enough, when his blood
was up: but he was no favorite in the mill; he had the taint of
school-learning on him,--not to a dangerous extent, only a
quarter or so in the free-school in fact, but enough to ruin him
as a good hand in a fight.
For other reasons, too, he was not popular. Not one of
themselves, they felt that, though outwardly as filthy and ash-
covered; silent, with foreign thoughts and longings breaking out
 Life in the Iron-Mills |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mirror of the Sea by Joseph Conrad: silent ships with their crews on shore. Up a short, steep ascent
by the King's Head pub., patronized by the cooks and stewards of
the fleet, the voice of a man crying "Hot saveloys!" at the end of
George Street, where the cheap eating-houses (sixpence a meal) were
kept by Chinamen (Sun-kum-on's was not bad), is heard at regular
intervals. I have listened for hours to this most pertinacious
pedlar (I wonder whether he is dead or has made a fortune), while
sitting on the rail of the old Duke of S- (she's dead, poor thing!
a violent death on the coast of New Zealand), fascinated by the
monotony, the regularity, the abruptness of the recurring cry, and
so exasperated at the absurd spell, that I wished the fellow would
 The Mirror of the Sea |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Cavalry General by Xenophon: march (or the attack[10]) assigned them by the commander, so the file-
leaders will depend upon the captain for the order passed along the
line in what formation they are severally to march; and all being
prearranged by word of mouth, the whole will work more smoothly than
if left to chance--like people crowding out of a theatre to their
mutual annoyance. And when it comes to actual encounter greater
promptitude will be displayed: supposing the attack is made in front,
by the file-leaders who know that this is their appointed post; or in
case of danger suddenly appearing in rear, then by the rear-rank men,
whose main idea is that to desert one's post is base. A want of
orderly arrangement, on the contrary, leads to confusion worse
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Christ in Flanders by Honore de Balzac: tourney.
In another moment every stone in the church vibrated, without leaving
its place; for the organ-pipes spoke, and I heard divine music
mingling with the songs of angels, and unearthly harmony, accompanied
by the deep notes of the bells, that boomed as the giant towers rocked
and swayed on their square bases. This strange Sabbath seemed to me
the most natural thing in the world; and I, who had seen Charles X.
hurled from his throne, was no longer amazed by anything. Nay, I
myself was gently swaying with a see-saw movement that influenced my
nerves pleasurably in a manner of which it is impossible to give any
idea. Yet in the midst of this heated riot, the cathedral choir felt
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