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Today's Stichomancy for Lewis Carroll

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Criminal Sociology by Enrico Ferri:

who are brought to trial year after year proves that thieves ply their trade as a regular calling; the thief who has once tasted prison life is sure to return to it.[8] And again, there are very few cases in which a man or a woman who has turned thief ceases to be one. Whatever the reason may be, as a matter of fact the thief is rarely or never reformed. When you can turn an old thief into an honest worker, you may turn an old fox into a house dog.[9]

[8] _Quarterly Review_, 1871, ``The London Police.'' [9] Thomson, ``The Psychology of Criminals,'' _Journal of Mental Science_, 1870.

We must, however, read these testimonies of practical men, which

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Young Forester by Zane Grey:

began to wander in unexpected directions. Why was it that the twilight seemed to move under the giant pines and creep down the hollow? While I gazed the gray shadows deepened to black, and night came suddenly. My campfire seemed to give almost no light, yet close at hand the flickering gleams played hide-and-seek among the pines and chased up the straight tree trunks. The crackling of my fire and the light steps of the grazing mustangs only emphasized the silence of the forest. Then a low moaning from a distance gave me a chill. At first I had no idea what it was, but presently I thought it must be the wind in the pines. It bore no resemblance to any sound I had ever before heard in the woods. It would murmur from different parts of the forest; sometimes it would cease for a


The Young Forester
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

disparaged and profaned. The farther the quarrel went, the more furious it became. I cried, 'Be silent,' or something like that.

She bounded out of the room and ran toward the children. I tried to hold her back to finish my insults. I grasped her by the arm, and hurt her. She cried: 'Children, your father is beating me.' I cried: 'Don't lie.' She continued to utter falsehoods for the simple purpose of irritating me further. 'Ah, it is not the first time,' or something of that sort. The children rushed toward her and tried to quiet her. I said: 'Don't sham.' She said: 'You look upon everything as a sham. You would kill a person and say he was shamming. Now I understand you. That is


The Kreutzer Sonata
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Massimilla Doni by Honore de Balzac:

greatest gladness in contrast to the deepest woe! What exclamations! What gleeful notes! The oppressed spirit breathes again. What delirium in the /tremolo/ of the orchestra! What a noble /tutti/! This is the rejoicing of a delivered nation. Are you not thrilled with joy?"

The physician, startled by the contrast, was, in fact, clapping his hands, carried away by admiration for one of the finest compositions of modern music.

"/Brava la Doni!/" said Vendramin, who had heard the Duchess.

"Now the introduction is ended," said she. "You have gone through a great sensation," she added, turning to the Frenchman. "Your heart is beating; in the depths of your imagination you have a splendid