The first excerpt represents the past or something you must release, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant: I.
They were discussing dynamite, the social revolution, Nihilism,
and even those who cared least about politics had something to
say. Some were alarmed, others philosophized, and others again
tried to smile.
"Bah!" N----said, "when we are all blown up, we shall see what it
is like. Perhaps, after all, it may be an amusing sensation,
provided one goes high enough."
"But we shall not be blown up at all," G----, the optimist, said,
interrupting him. "It is all a romance."
"You are mistaken, my dear fellow," Jules de C----replied. "It is
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Three Taverns by Edwin Arlington Robinson: Your friend is dead," I ventured.
Ferguson,
Who talked himself at last out of the world
He censured, and is therefore silent now,
Agreed indifferently: "My friends are dead --
Or most of them."
"Remember one that isn't,"
I said, protesting. "Honor him for his ears;
Treasure him also for his understanding."
Ferguson sighed, and then talked on again:
"You have an overgrown alacrity
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The third excerpt represents the future or something you must embrace, and is drawn from Edition of The Ambassadors by Henry James: Pocock's mention of her initiated state; and she had immediately
added that, after all, her hostess couldn't be in need with the
good offices of Mr. Strether so close at hand. "It's he, I gather,
who has learnt to know his Paris, and to love it, better than any
one ever before in so short a time; so that between him and your
brother, when it comes to the point, how can you possibly want for
good guidance? The great thing, Mr. Strether will show you," she
smiled, "is just to let one's self go."
"Oh I've not let myself go very far," Strether answered, feeling
quite as if he had been called upon to hint to Mrs. Pocock how
Parisians could talk. "I'm only afraid of showing I haven't let
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