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Today's Stichomancy for Lindsay Lohan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

fungi it is muttered that they have also a slight taste for meat, either physical or spiritual, for certainly many dreamers have entered that wood who have not come out. Carter, however, had no fear; for he was an old dreamer and had learnt their fluttering language and made many a treaty with them; having found through their help the splendid city of Celephais in Ooth-Nargai beyond the Tanarian Hills, where reigns half the year the great King Kuranes, a man he had known by another name in life. Kuranes was the one soul who had been to the star-gulls and returned free from madness. Threading now the low phosphorescent aisles between


The Dream-Quest of Unknown Kadath
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Of The Nature of Things by Lucretius:

That through those places (through which eyes cannot View objects manifest) sounds yet may pass And assail the ears. For often we observe People conversing, though the doors be closed; No marvel either, since all voice unharmed Can wind through bended apertures of things, While idol-films decline to- for they're rent, Unless along straight apertures they swim, Like those in glass, through which all images Do fly across. And yet this voice itself, In passing through shut chambers of a house,


Of The Nature of Things
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Scarlet Pimpernel by Baroness Emmuska Orczy:

not to walk near the centre of the road, and she found it difficult to keep up a sharp pace along the muddy incline. She even thought it best not to keep too near to the cart; everything was so still, that the rumble of the wheels could not fail to be a safe guide.

The loneliness was absolute. Already the few dim lights of Calais lay far behind, and on this road there was not a sign of human habitation, not even the hut of a fisherman or of a woodcutter anywhere near; far away on her right was the edge of the cliff, below it the rough beach, against which the incoming tide was dashing itself with its constant, distant murmur. And ahead the rumble of the wheels, bearing an implacable enemy to his triumph.


The Scarlet Pimpernel
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Z. Marcas by Honore de Balzac:

she had added that we should not be disturbed, that the occupant was exceedingly quiet. In fact, for those six months, we never met our fellow-lodger, and we never heard a sound in his room, in spite of the thinness of the partition that divided us--one of those walls of lath and plaster which are common in Paris houses.

Our room, a little over seven feet high, was hung with a vile cheap paper sprigged with blue. The floor was painted, and knew nothing of the polish given by the /frotteur's/ brush. By our beds there was only a scrap of thin carpet. The chimney opened immediately to the roof, and smoked so abominably that we were obliged to provide a stove at our own expense. Our beds were mere painted wooden cribs like those in