Today's Stichomancy for Lindsay Lohan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Importance of Being Earnest by Oscar Wilde:

ALGERNON. That is because I am hungry.

CECILY. How thoughtless of me. I should have remembered that when one is going to lead an entirely new life, one requires regular and wholesome meals. Won't you come in?

ALGERNON. Thank you. Might I have a buttonhole first? I never have any appetite unless I have a buttonhole first.

CECILY. A Marechal Niel? [Picks up scissors.]

ALGERNON. No, I'd sooner have a pink rose.

CECILY. Why? [Cuts a flower.]

ALGERNON. Because you are like a pink rose, Cousin Cecily.

CECILY. I don't think it can be right for you to talk to me like

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Pair of Blue Eyes by Thomas Hardy:

theirs (Elfride had repeatedly said that it grieved her). Whatever any other person who knew of it might think, he knew well enough the modesty of her nature. The only reproach was a gentle one for not having written quite so devotedly during her visit to London. Her letter had seemed to have a liveliness derived from other thoughts than thoughts of him.

Knight's intention of an early return to Endelstow having originally been faint, his promise to do so had been fainter. He was a man who kept his words well to the rear of his possible actions. The vicar was rather surprised to see him again so soon: Mrs. Swancourt was not. Knight found, on meeting them all, after

A Pair of Blue Eyes

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Coxon Fund by Henry James:

to warn her that if she should see more of Frank Saltram--which would be likely to follow on any increase of acquaintance with Mrs. Mulville--she might find herself flattening her nose against the clear hard pane of an eternal question--that of the relative, that of the opposed, importances of virtue and brains. She replied that this was surely a subject on which one took everything for granted; whereupon I admitted that I had perhaps expressed myself ill. What I referred to was what I had referred to the night we met in Upper Baker Street--the relative importance (relative to virtue) of other gifts. She asked me if I called virtue a gift--a thing handed to us in a parcel on our first birthday; and I declared that this very

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Facino Cane by Honore de Balzac:

every one sent me about my business for a lunatic. Come! we will go to Venice; let us set out as beggars, we shall come back millionaires. We will buy back some of my estates, and you shall be my heir! You shall be Prince of Varese!"

My head was swimming. For me his confidences reached the proportions of tragedy; at the sight of that white head of his and beyond it the black water in the trenches of the Bastille lying still as a canal in Venice, I had no words to answer him. Facino Cane thought, no doubt, that I judged him, as the rest had done, with a disdainful pity; his gesture expressed the whole philosophy of despair.

Perhaps his story had taken him back to happy days and to Venice. He