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Today's Stichomancy for Liv Tyler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Albert Savarus by Honore de Balzac:

of hearing that eloquent voice, of winning a glance from those fine eyes. All this she set her heart on, but how could she achieve it?

All that day she drew her needle through her embroidery with the obtuse concentration of a girl who, like Agnes, seems to be thinking of nothing, but who is reflecting on things in general so deeply, that her artifice is unfailing. As a result of this profound meditation, Rosalie thought she would go to confession. Next morning, after Mass, she had a brief interview with the Abbe Giroud at Saint-Pierre, and managed so ingeniously that the hour of her confession was fixed for Sunday morning at half-past seven, before the eight o'clock Mass. She committed herself to a dozen fibs in order to find herself, just for


Albert Savarus
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Riders of the Purple Sage by Zane Grey:

tracks; and when he had stolen on a little farther he saw many birds and running quail, and more rabbits than he could count. He had not penetrated the forest of oaks for a hundred yards, had not approached anywhere near the line of willows and cottonwoods which he knew grew along a stream. But he had seen enough to know that Surprise Valley was the home of many wild creatures.

Venters returned to camp. He skinned the rabbits, and gave the dogs the one they had quarreled over, and the skin of this he dressed and hung up to dry, feeling that he would like to keep it. It was a particularly rich, furry pelt with a beautiful white tail. Venters remembered that but for the bobbing of that white


Riders of the Purple Sage
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Vailima Letters by Robert Louis Stevenson:

meeting. The difficulty in a love yarn, which dwells at all on love, is the dwelling on one string; it is manifold, I grant, but the root fact is there unchanged, and the sentiment being very intense, and already very much handled in letters, positively calls for a little pawing and gracing. With a writer of my prosaic literalness and pertinency of point of view, this all shoves toward grossness - positively even towards the far more damnable CLOSENESS. This has kept me off the sentiment hitherto, and now I am to try: Lord! Of course Meredith can do it, and so could Shakespeare; but with all my romance, I am a realist and a prosaist, and a most

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Travels and Researches in South Africa by Dr. David Livingstone:

formerly alight@mercury.interpath.net). To assure a high quality text, the original was typed in (manually) twice and electronically compared. [Note on text: Italicized words or phrases are CAPITALIZED. Some obvious errors have been corrected.]

Missionary Travels and Researches in South Africa. Also called, Travels and Researches in South Africa; or, Journeys and Researches in South Africa. By David Livingstone [British (Scot) Missionary and Explorer--1813-1873.]

David Livingstone was born in Scotland, received his medical degree from the University of Glasgow, and was sent to South Africa by the London Missionary Society. Circumstances led him to try to meet