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Today's Stichomancy for Liza Minnelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

sentiment of art, narrow the widest heart, and enervate the strongest will. Transplant the Tourangian, and his fine qualities develop and lead to great results, as we may see in many spheres of action: look at Rabelais and Semblancay, Plantin the printer and Descartes, Boucicault, the Napoleon of his day, and Pinaigrier, who painted most of the colored glass in our cathedrals; also Verville and Courier. But the Tourangian, distinguished though he may be in other regions, sits in his own home like an Indian on his mat or a Turk on his divan. He employs his wit in laughing at his neighbor and in making merry all his days; and when at last he reaches the end of his life, he is still a happy man. Touraine is like the Abbaye of Theleme, so vaunted in the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Christ in Flanders by Honore de Balzac:

cried:

"Stop rowing!"

The sailors stopped immediately, and let their oars lie on the water.

"The skipper is right," said Thomas coolly. A great wave caught up the boat, carried it high on its crest, only to plunge it, as it were, into the trough of the sea that seemed to yawn for them. At this mighty upheaval, this sudden outbreak of the wrath of the sea, the company in the stern turned pale, and sent up a terrible cry.

"We are lost!"

"Oh, not yet!" said the skipper calmly.

As he spoke, the clouds immediately above their heads were torn

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ion by Plato:

And the soul of the lyric poet does the same, as they themselves say; for they tell us that they bring songs from honeyed fountains, culling them out of the gardens and dells of the Muses; they, like the bees, winging their way from flower to flower. And this is true. For the poet is a light and winged and holy thing, and there is no invention in him until he has been inspired and is out of his senses, and the mind is no longer in him: when he has not attained to this state, he is powerless and is unable to utter his oracles. Many are the noble words in which poets speak concerning the actions of men; but like yourself when speaking about Homer, they do not speak of them by any rules of art: they are simply inspired to utter that to which the Muse impels them, and that only; and when inspired, one of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

am bound like some poor beast to a stake; I am amazed that I have been able to throw a bridge over the abyss which divides us. Intoxicate me, then kill me! Ah, no, no!" she cried, joining her hands, "do not kill me! I love life! Life is fair to me! If I am a slave, I am a queen too. I could beguile you with words, tell you that I love you alone, prove it to you, profit by my momentary empire to say to you: 'Take me as one tastes the perfume of a flower when one passes it in a king's garden.' Then, after having used the cunning eloquence of woman and soared on the wings of pleasure, after having quenched my thirst, I could have you cast into a pit, where none could find you, which has been made to gratify vengeance without having to fear that of the law,


The Girl with the Golden Eyes