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Today's Stichomancy for Liza Minnelli

The first excerpt represents the past or something you must release, and is drawn from A Footnote to History by Robert Louis Stevenson:

since nobly redeemed. On the rest he was immovable; he had cast the die, he had declared his candidacy, he had gone to Malie. Thither, after his visit to Apia, he returned again; there he has practically since resided.

Thus was created in the islands a situation, strange in the beginning, and which, as its inner significance is developed, becomes daily stranger to observe. On the one hand, Mataafa sits in Malie, assumes a regal state, receives deputations, heads his letters "Government of Samoa," tacitly treats the king as a co- ordinate; and yet declares himself, and in many ways conducts himself, as a law-abiding citizen. On the other, the white

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lin McLean by Owen Wister:

hastened toward his chosen companions through the stirring cheerfulness of the season. His play-hour had made a dull beginning among the toys. He had come upon people engaged in a pleasant game, and waited, shy and well disposed, for some bidding to join, but they had gone on playing with each other and left him out. And now he went along in a sort of hurry to escape from that loneliness where his human promptings had been lodged with him useless. Here was Cheyenne, full of holiday for sale, and he with his pockets full of money to buy; and when he thought of Shorty, and Chalkeye, and Dollar Bill, those dandies to hit a town with, he stepped out with a brisk, false hope. It was with a mental hurrah and a foretaste of a good time coming that he put on his town clothes, after shaving and

The third excerpt represents the future or something you must embrace, and is drawn from Twice Told Tales by Nathaniel Hawthorne:

been settled but about thirty years, the tracts of original forest still bore no small proportion to the cultivated ground. The autumn wind wandered among the branches, whirling away the leaves from all except the pine-trees, and moaning as if it lamented the desolation of which it was the instrument. The road had penetrated the mass of woods that lay nearest to the town, and was just emerging into an open space, when the traveller's ears were saluted by a sound more mournful than even that of the wind. It was like the wailing of someone in distress, and it seemed to proceed from beneath a tall and lonely fir-tree, in the centre of a cleared but uninclosed and uncultivated field. The


Twice Told Tales