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Today's Stichomancy for Liza Minnelli

The first excerpt represents the past or something you must release, and is drawn from Hermione's Little Group of Serious Thinkers by Don Marquis:

know -- and threshed it out thoroughly -- we hadn't the slightest idea that it would lead us straight to Nietzsche and -- and, well, all those people like that, if you get what I mean. Though, of course, as the man who spoke to us -- he was the LOVELIEST person! -- spoke in German, we may have missed some of the finer shades.

Oh, yes, I had German in high school . . . real- ly, I was quite proficient . . . although, of course, it's such a GUTTURAL kind of language -- don't you think? -- that one wonders how they EVER sing it.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Episode Under the Terror by Honore de Balzac:

them, and seemed, at least, as much embarrassed as they. But the strange silence did not last long, for presently the stranger began to understand. He saw how inexperienced, how helpless (mentally speaking), the two poor creatures were, and he tried to speak gently.

"I am far from coming as an enemy, citoyennes----" he began. Then he suddenly broke off and went on, "Sisters, if anything should happen to you, believe me, I shall have no share in it. I have come to ask a favor of you."

Still the women were silent.

"If I am annoying you--if--if I am intruding, speak freely, and I will go; but you must understand that I am entirely at your service; that

The third excerpt represents the future or something you must embrace, and is drawn from Prufrock/Other Observations by T. S. Eliot:

Or whether wise or foolish, tardy or too soon ... Would she not have the advantage, after all? This music is successful with a "dying fall" Now that we talk of dying-- And should I have the right to smile?

Preludes

I

The winter evening settles down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days.


Prufrock/Other Observations