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Today's Stichomancy for Liza Minnelli

The first excerpt represents the past or something you must release, and is drawn from Eryxias by Platonic Imitator:

appear that you only pray to be taught what you do not know.

Hereupon I said to Prodicus that it was no misfortune to him if he had been proved to be in error in supposing that the Gods immediately granted to us whatever we asked:--if, I added, whenever you go up to the Acropolis you earnestly entreat the Gods to grant you good things, although you know not whether they can yield your request, it is as though you went to the doors of the grammarian and begged him, although you had never made a study of the art, to give you a knowledge of grammar which would enable you forthwith to do the business of a grammarian.

While I was speaking, Prodicus was preparing to retaliate upon his youthful assailant, intending to employ the argument of which you have just made

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Glimpses of the Moon by Edith Wharton:

Even she and Lansing, in spite of their unmixed Americanism, their substantial background of old-fashioned cousinships in New York and Philadelphia, were as mentally detached, as universally at home, as touts at an International Exhibition. If they were usually recognized as Americans it was only because they spoke French so well, and because Nick was too fair to be "foreign," and too sharp-featured to be English. But Charlie Strefford was English with all the strength of an inveterate habit; and something in Susy was slowly waking to a sense of the beauty of habit.

Lounging on the balcony, whither he had followed her without

The third excerpt represents the future or something you must embrace, and is drawn from Moran of the Lady Letty by Frank Norris:

clinched teeth. "But this--this damned heaving and trembling, it-- it's queer."

"That's it, that's it," said Wilbur quickly, facing her. "What are we going to do, Moran?"

"STICK IT OUT!" she exclaimed, striking her knee with her fist. "We can't leave the schooner--I WON'T leave her. I'll stay by this dough-dish as long as two planks in her hold together. Were you thinking of cutting away?" She fixed him with her frown.

Wilbur looked at her, sitting erect by the disabled rudder, her head bare, her braids of yellow hair hanging over her breast, sitting there in man's clothes and man's boots, the pistol at her