| The first excerpt represents the past or something you must release, and is drawn from Tour Through Eastern Counties of England by Daniel Defoe: prevent their running into Cromer Bay, which the seamen call the
devil's throat.
As I went by land from Yarmouth northward, along the shore towards
Cromer aforesaid, and was not then fully master of the reason of
these things, I was surprised to see, in all the way from
Winterton, that the farmers and country people had scarce a barn,
or a shed, or a stable, nay, not the pales of their yards and
gardens, not a hogstye, not a necessary house, but what was built
of old planks, beams, wales, and timbers, etc., the wrecks of
ships, and ruins of mariners' and merchants' fortunes; and in some
places were whole yards filled and piled up very high with the same
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Midsummer Night's Dream by William Shakespeare: Opening on Neptune, With faire blessed beames,
Turnes into yellow gold, his salt greene streames.
But not withstanding haste, make no delay:
We may effect this businesse, yet ere day
Puck. Vp and downe, vp and downe, I will leade
them vp and downe: I am fear'd in field and towne.
Goblin, lead them vp and downe: here comes one.
Enter Lysander.
Lys. Where art thou, proud Demetrius?
Speake thou now
Rob. Here villaine, drawne & readie. Where art thou?
A Midsummer Night's Dream |
The third excerpt represents the future or something you must embrace, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot: this adage did not apply. The latter had only one side,
and therefore -- plurally and pedantically speaking -- NO SIDES.
The former -- if at least they would assert their claim to be
really and truly Circles, and not mere high-class Polygons
with an infinitely large number of infinitesimally small sides --
were in the habit of boasting (what Women confessed and deplored)
that they also had no sides, being blessed with a perimeter of
one line, or, in other words, a Circumference. Hence it came to pass
that these two Classes could see no force in the so-called axiom about
"Distinction of Sides implying Distinction of Colour"; and when
all others had succumbed to the fascinations of corporal decoration,
Flatland: A Romance of Many Dimensions |
