| The first excerpt represents the past or something you must release, and is drawn from The Phoenix and the Turtle by William Shakespeare: From this session interdict
Every fowl of tyrant wing,
Save the eagle, feather'd king:
Keep the obsequy so strict.
Let the priest in surplice white,
That defunctive music can,
Be the death-defying swan,
Lest the requiem lack his right.
And thou, treble-dated crow,
That thy sable gender mak'st
With the breath thou giv'st and tak'st,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Puck of Pook's Hill by Rudyard Kipling: 'In seven days, then, we returned from our Manors -
from the Manors which had been ours.'
'And were the children quite well?' said Una.
'My sons were young. Land and governance belong by
right to young men.' Sir Richard was talking to himself.
'It would have broken their hearts if we had taken back
our Manors. They made us great welcome, but we could
see - Hugh and I could see - that our day was done. I was
a cripple and he a one-armed man. No!' He shook his
head. 'And therefore' - he raised his voice - 'we rode
back to Pevensey.'
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The third excerpt represents the future or something you must embrace, and is drawn from Somebody's Little Girl by Martha Young: that it was of the Dreadful Fever, and I hurried there so that I
could get to him before the Dreadful Quarantines were put on. I
felt all safe about the baby, for I left her with my mother and the
faithful nurse who had been my nurse, too. But when the worst had
come and was over,--and it was the Dreadful Fever,--then I tried to
get back to my home; but I could not for many, many days, because
the Dreadful Quarantines were on. Then at last I did get there--I
slipped up secretly by water. All were gone. I could find no one
who could tell me anything. I could find no one who knew anything.
The house was wide open. There was no sign of life, but that the
cat came and rubbed up against me, and walked round and round me.
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