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Today's Stichomancy for Liza Minnelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Psychology of Revolution by Gustave le Bon:

contemporaries without seeing them and without understanding them. Above all, they had not a suspicion of the true nature of the popular mind. The man of the people always appeared to them in the likeness of the chimerical model created by their dreams. As ignorant of psychology as of the teachings of history, they considered the plebeian man as naturally good, affectionate, grateful, and always ready to listen to reason.

The speeches delivered by members of the Assembly show how profound were these illusions. When the peasants began to burn the chateaux they were greatly astonished, and addressed them in sentimental harangues, praying them to cease, in order

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Songs of Innocence and Experience by William Blake:

He is called by thy name, For He calls Himself a Lamb. He is meek, and He is mild, He became a little child. I a child, and thou a lamb, We are called by His name. Little lamb, God bless thee! Little lamb, God bless thee!

THE LITTLE BLACK BOY

My mother bore me in the southern wild, And I am black, but O my soul is white!


Songs of Innocence and Experience
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beast in the Jungle by Henry James:

less and less able to leave. He had been struck one day, after an absence exceeding his usual measure, with her suddenly looking much older to him than he had ever thought of her being; then he recognised that the suddenness was all on his side--he had just simply and suddenly noticed. She looked older because inevitably, after so many years, she WAS old, or almost; which was of course true in still greater measure of her companion. If she was old, or almost, John Marcher assuredly was, and yet it was her showing of the lesson, not his own, that brought the truth home to him. His surprises began here; when once they had begun they multiplied; they came rather with a rush: it was as if, in the oddest way in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Virginian by Owen Wister:

himself some coffee. "We'll be in luck if we make any Sunk Creek this night."

He went on with his breakfast, thinking aloud for the benefit of his companion, who made no comments, preferring silence to the discomfort of talking with a man whose vindictive humor was so thoroughly uppermost. He did not even listen very attentively, but continued his preparations for departure, washing the dishes, rolling the blankets, and moving about in his usual way of easy and visible good nature.

"Six o'clock, already," said Balaam, saddling the horses. "And we'll not get started for ten minutes more." Then he came to


The Virginian