The first excerpt represents the past or something you must release, and is drawn from Astoria by Washington Irving: derision called them Long-beards. Both sexes, on the other hand,
cherished the hair of the head, which with them is generally
black and rather coarse. They allowed it to grow to a great
length and were very proud and careful of it, sometimes wearing
it plaited, sometimes wound round the head in fanciful tresses.
No greater affront could be offered to them than to cut off their
treasured locks.
They had conical hats with narrow rims, neatly woven of bear
grass or of the fibres of cedar bark, interwoven with designs of
various shapes and colors; sometimes merely squares and
triangles, at other times rude representations of canoes, with
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Cratylus by Plato: nature of them in letters and syllables in such a manner as to imitate the
essence or not.
HERMOGENES: Very good.
SOCRATES: But are these the only primary names, or are there others?
HERMOGENES: There must be others.
SOCRATES: So I should expect. But how shall we further analyse them, and
where does the imitator begin? Imitation of the essence is made by
syllables and letters; ought we not, therefore, first to separate the
letters, just as those who are beginning rhythm first distinguish the
powers of elementary, and then of compound sounds, and when they have done
so, but not before, they proceed to the consideration of rhythms?
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The third excerpt represents the future or something you must embrace, and is drawn from Anthem by Ayn Rand: to all our brothers.
We know not what this power is nor
whence it comes. But we know its nature,
we have watched it and worked with it.
We saw it first two years ago. One night,
we were cutting open the body of a dead
frog when we saw its leg jerking. It was
dead, yet it moved. Some power unknown
to men was making it move. We could not
understand it. Then, after many tests,
we found the answer. The frog had been
 Anthem |