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Today's Stichomancy for Lucille Ball

The first excerpt represents the past or something you must release, and is drawn from A Midsummer Night's Dream by William Shakespeare:

Du. His discretion I am sure cannot carrie his valor: for the Goose carries not the Fox. It is well; leaue it to his discretion, and let vs hearken to the Moone

Moone. This Lanthorne doth the horned Moone present

De. He should haue worne the hornes on his head

Du. Hee is no crescent, and his hornes are inuisible, within the circumference

Moon. This lanthorne doth the horned Moone present: My selfe, the man i'th Moone doth seeme to be

Du. This is the greatest error of all the rest; the man Should be put into the Lanthorne. How is it els the man


A Midsummer Night's Dream
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Intentions by Oscar Wilde:

GILBERT. The culture that this transmission of racial experiences makes possible can be made perfect by the critical spirit alone, and indeed may be said to be one with it. For who is the true critic but he who bears within himself the dreams, and ideas, and feelings of myriad generations, and to whom no form of thought is alien, no emotional impulse obscure? And who the true man of culture, if not he who by fine scholarship and fastidious rejection has made instinct self-conscious and intelligent, and can separate the work that has distinction from the work that has it not, and so by contact and comparison makes himself master of the secrets of style and school, and understands their meanings, and listens to

The third excerpt represents the future or something you must embrace, and is drawn from Child of Storm by H. Rider Haggard:

hardly with me, who have given me the colour of my people and the heart of yours. If I were white, now, what you are pleased to call this loveliness of mine would be of some use to me, for then-- then-- Oh, cannot you guess, Macumazahn?"

I shook my head and said that I could not, and next moment was sorry, for she proceeded to explain.

Sinking to her knees--for we were quite alone in the big hut and there was no one else about, all the other women being engaged on rural or domestic tasks, for which Mameena declared she had no time, as her business was to look after me--she rested her shapely head upon my knees and began to talk in a low, sweet voice that sometimes broke into a sob.


Child of Storm