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Today's Stichomancy for Lucy Liu

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Adventure by Jack London:

received passed away, and he found himself cudgelling his brains for some way out of the muddle--for some method by which she could remain on Berande. A chaperone! Why not? He could send to Sydney on the first steamer for one. He could -

Her trilling laughter smote upon his reverie, and he stepped to the screen-door, through which he could see her running down the path to the beach. At her heels ran two of her sailors, Papehara and Mahameme, in scarlet lava-lavas, with naked sheath-knives gleaming in their belts. It was another sample of her wilfulness. Despite entreaties and commands, and warnings of the danger from sharks, she persisted in swimming at any and all times, and by special

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

To reduce the strains arising from firing, the arm is fitted with what is known as the "differential recoil." Above the breach is an air recuperator and a piston, while there is no hydraulic brake such as is generally used. The compressor is kept under compression while the car is travelling with the gun out of action, so that the arm is available for instant firing. This is a departure from the general practice in connection with such weapons. When the gun is loaded the bolt which holds the compressor back is withdrawn, either by the hand for manual firing, or by the action of the automatic closing of the breech when the arm is being used as a quick-firer. In firing

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tarzan the Untamed by Edgar Rice Burroughs:

After a short parley the man in charge of the doorway, for such he seemed to be, turned and struck upon one of the panels with the butt of his spear, at the same time calling to several of his companions, who rose and came forward at his com- mand. Soon the great doors commenced slowly to swing creakingly open, and presently, as they separated, the girl saw behind them the motive force which operated the massive doors -- to each door a half-dozen naked Negroes.

At the doorway her two guards were turned back and their places taken by a half dozen of the yellow-coated soldiery. These conducted her through the doorway which the blacks,


Tarzan the Untamed
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moran of the Lady Letty by Frank Norris:

freshening. Moran took the wheel; the flying-jib and staysail were set; the wake began to whiten under the schooner's stern, the forefoot sang; the Pacific opened out more and more; and by 12:30 o'clock Moran put the wheel over, and, as the schooner's bow swung to the northward, cried to Wilbur:

"Mate, look your last of Magdalena Bay!"

Standing at her side, Wilbur turned and swept the curve of the coast with a single glance. The vast, heat-scourged hoop of yellow sand, the still, smooth shield of indigo water, with its beds of kelp, had become insensibly dear to him. It was all familiar, friendly, and hospitable. Hardly an acre of that sweep