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Today's Stichomancy for Ludwig Wittgenstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moral Emblems by Robert Louis Stevenson:

Look on this emblem, and be brave.

Poem: IV

See in the print how, moved by whim, Trumpeting Jumbo, great and grim, Adjusts his trunk, like a cravat, To noose that individual's hat. The sacred Ibis in the distance Joys to observe his bold resistance.

Poem: V

Mark, printed on the opposing page, The unfortunate effects of rage.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Phoenix and the Turtle by William Shakespeare:

Had the essence but in one; Two distincts, division none: Number there in love was slain.

Hearts remote, yet not asunder; Distance, and no space was seen 'Twixt the turtle and his queen; But in them it were a wonder.

So between them love did shine, That the turtle saw his right Flaming in the phoenix' sight: Either was the other's mine.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dorothy and the Wizard in Oz by L. Frank Baum:

"Oh; I believe I've heard of you," said the cab-horse; "but you are unlike anything that I expected to see."

"I do not doubt it," the Sawhorse observed, with a tone of pride. "I am considered quite unusual."

"You are, indeed. But a rickety wooden thing like you has no right to be alive."

"I couldn't help it," returned the other, rather crestfallen. "Ozma sprinkled me with a magic powder, and I just had to live. I know I'm not much account; but I'm the only horse in all the Land of Oz, so they treat me with great respect."

"You, a horse!"


Dorothy and the Wizard in Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Middlemarch by George Eliot:

I should cut my own nose off in not doing the best I could at it. I should stick to it like a flea to a fleece for my own sake. I should always be on the spot. And nothing would make your poor mother so happy. I've pretty well done with my wild oats-- turned fifty-five. I want to settle down in my chimney-corner. And if I once buckled to the tobacco trade, I could bring an amount of brains and experience to bear on it that would not be found elsewhere in a hurry. I don't want to be bothering you one time after another, but to get things once for all into the right channel. Consider that, Josh--as between man and man--and with your poor mother to be made easy for her life. I was always fond of the old woman,


Middlemarch