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Today's Stichomancy for Madonna

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Golden Threshold by Sarojini Naidu:

through so many yesterdays when I strove with Death that I have realised to its full the wisdom of that sentence; and it is to me not merely a figure of speech, but a literal fact. Any to-morrow I might die. It is scarcely two months since I came back from the grave: is it worth while to be anything but radiantly glad? Of all things that life or perhaps my temperament has given me I prize the gift of laughter as beyond price."

Her desire, always, was to be "a wild free thing of the air like the birds, with a song in my heart." A spirit of too much fire in too frail a body, it was rarely that her desire was fully granted. But in Italy she found what she could not find in

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Massimilla Doni by Honore de Balzac:

every morning at Florian's to keep himself up till the evening in a state of nervous excitement, and this habit, carried to excess, he hoped would in due time kill him, as Vendramin relied on opium.

"And I am a prince!"

As he spoke the words, Emilio Memmi tossed Marco Vendramin's letter into the lagoon without even reading it to the end, and it floated away like a paper boat launched by a child.

"But Emilio," he went on to himself, "is but three and twenty. He is a better man than Lord Wellington with the gout, than the paralyzed Regent, than the epileptic royal family of Austria, than the King of France----"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

mine, that she could do with it as she liked, and that she liked to do with it as I did not like. And I was powerless against him and against her. He, like the Vanka of the song, would sing, before mounting the gallows, how he would kiss her sweet lips, etc., and he would even have the best of it before death. With her it was still worse. If she HAD NOT DONE IT, she had the desire, she wished to do it, and I knew that she did. That was worse yet. It would be better if she had already done it, to relieve me of my uncertainty.

"In short, I could not say what I desired. I desired that she might not want what she MUST want. It was complete madness.


The Kreutzer Sonata
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Life of the Spider by J. Henri Fabre:

spun in the same order in which they figure in the web, each following immediately upon its next neighbour. Matters pass in another manner, which at first looks like disorder, but which is really a judicious contrivance. After setting a few spokes in one direction, the Epeira runs across to the other side to draw some in the opposite direction. These sudden changes of course are highly logical; they show us how proficient the Spider is in the mechanics of rope-construction. Were they to succeed one another regularly, the spokes of one group, having nothing as yet to counteract them, would distort the work by their straining, would even destroy it for lack of a stabler support. Before continuing, it is necessary


The Life of the Spider