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Today's Stichomancy for Madonna

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Goriot by Honore de Balzac:

mechanism of the social machine; but your first fright will go off like a conscript's terror on the battlefield. You will grow used to regarding men as common soldiers who have made up their minds to lose their lives for some self-constituted king. Times have altered strangely. Once you could say to a bravo, 'Here are a hundred crowns; go and kill Monsieur So-and-so for me,' and you could sup quietly after turning some one off into the dark for the least thing in the world. But nowadays I propose to put you in the way of a handsome fortune; you have only to nod your head, it won't compromise you in any way, and you hesitate. 'Tis an effeminate age."


Father Goriot
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hidden Masterpiece by Honore de Balzac:

undermined both soul and body. The eyes had lost their lashes, and the eyebrows were scarcely traced along the projecting arches where they belonged. Imagine such a head upon a lean and feeble body, surround it with lace of dazzling whiteness worked in meshes like a fish-slice, festoon the black velvet doublet of the old man with a heavy gold chain, and you will have a faint idea of the exterior of this strange individual, to whose appearance the dusky light of the landing lent fantastic coloring. You might have thought that a canvas of Rembrandt without its frame had walked silently up the stairway, bringing with it the dark atmosphere which was the sign-manual of the great master. The old man cast a look upon the youth which was full of sagacity;

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Protagoras by Plato:

things."'

There is no reason to suppose that in all this Plato is depicting an imaginary Protagoras; he seems to be showing us the teaching of the Sophists under the milder aspect under which he once regarded them. Nor is there any reason to doubt that Socrates is equally an historical character, paradoxical, ironical, tiresome, but seeking for the unity of virtue and knowledge as for a precious treasure; willing to rest this even on a calculation of pleasure, and irresistible here, as everywhere in Plato, in his intellectual superiority.

The aim of Socrates, and of the Dialogue, is to show the unity of virtue. In the determination of this question the identity of virtue and knowledge

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Adventures of Tom Sawyer by Mark Twain:

against Alfred Temple; for with shame and repentance Becky had told him all, not forgetting her own treachery; but even the longing for vengeance had to give way, soon, to pleasanter musings, and he fell asleep at last with Becky's latest words lingering dreamily in his ear --

"Tom, how COULD you be so noble!"

CHAPTER XXI

VACATION was approaching. The school- master, always severe, grew severer and more exacting than ever, for he wanted the school to make a good showing on


The Adventures of Tom Sawyer