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Today's Stichomancy for Mahmoud Ahmadinejad

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

as she travels southward to that (for the colored man) Valley of the Shadow of Death, where the Mississippi sweeps along. Again, we have known you long, and can put the most entire confidence in your truth, candor, and sincerity. Every one who has heard you speak has felt, and, I am confident, every one who reads your book will feel, persuaded that you give them a fair specimen of the whole truth. No one-sided portrait, --no wholesale complaints,--but strict justice done,


The Narrative of the Life of Frederick Douglass: An American Slave
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from God The Invisible King by H. G. Wells:

cannot escape in this person or that person being nailed to a cross or chained to be torn by vultures on a rock. These may be necessary sufferings, like hunger and thirst in a campaign; they do not in themselves bring victory. They may be necessary, but they are not glorious. The symbol of the crucifixion, the drooping, pain- drenched figure of Christ, the sorrowful cry to his Father, "My God, my God, why hast thou forsaken me?" these things jar with our spirit. We little men may well fail and repent, but it is our faith that our God does not fail us nor himself. We cannot accept the Christian's crucifix, or pray to a pitiful God. We cannot accept the Resurrection as though it were an after-thought to a bitterly

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tapestried Chamber by Walter Scott:

a hilly and pastoral district of Roxburghshire, which, on a part of its boundary, is divided from England only by a small river.

During the good old times of RUGGING AND RIVING--that is, tugging and tearing--under which term the disorderly doings of the warlike age are affectionately remembered, this valley was principally cultivated by the sept or clan of the Armstrongs. The chief of this warlike race was the Laird of Mangerton. At the period of which I speak, the estate of Mangerton, with the power and dignity of chief, was possessed by John Armstrong, a man of great size, strength, and courage. While his father was alive, he was distinguished from others of his clan who bore the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Mayor of Casterbridge by Thomas Hardy:

What Henchard had written in the anguish of his dying was respected as far as practicable by Elizabeth-Jane, though less from a sense of the sacredness of last words, as such, than from her independent knowledge that the man who wrote them meant what he said. She knew the directions to be a piece of the same stuff that his whole life was made of, and hence were not to be tampered with to give herself a mournful pleasure, or her husband credit for large- heartedness.

All was over at last, even her regrets for having misunderstood him on his last visit, for not having searched


The Mayor of Casterbridge